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PAGE 2

Night-Watches
by [?]

There is one single possibility out of ten that this treatment will produce drowsiness. There are nine probabilities to the contrary. The possibility is worth trying for, and trying hard for; but if it results in the sudden flight of President Edwards across the room, a severe banging of the “Sphere of Woman” against the wall, and the total disappearance of Cruden’s Concordance beneath the bed, Keturah is not in the least surprised. It is altogether too familiar a result to elicit remark. It simply occasions a fresh growth to a horrible resolution that she has been slowly forming for years.

Some day she will write a book. The publishers shall nap over it, and accept it with pleasure. The drowsy printers shall set up its type with their usual unerring exactness. The proof-readers shall correct it in their dreams. Customers in the bookstores shall nod at the sight of its binding. Its readers shall dose at its Preface. Sleepless old age, sharp and unrelieved pain, youth sorrowful before the time, shall seek it out, shall flock unto the counters of its fortunate publishers (she has three firms in her mind’s eye; one in Boston, one in New York, and one in Philadelphia; but who the happy men are to be is not yet definitely decided), who shall waste their inheritance in distributing it throughout the length and breadth of a grateful continent. Physicians from everywhere under the sun, who have proved the fickleness of hyoscyamus, of hops, of Dover’s powders, of opium, of morphine, of laudanum, of hidden virtues of herbs of the field, and minerals from the rock, and gases from the air; who know the secrets of all the pitying earth, and, behold, it is vanity of vanities, shall line their hospitals, cram their offices, stuff their bottles, with the new universal panacea and blessing to suffering humanity.

And Keturah can keep a resolution.

Her literary occupation disposed of, in the summary manner referred to, she runs through the roll of her reserve force, and their name is Legion. She composes herself, in an attitude of rest, with a handkerchief tied over her eyes to keep them shut, blows her lamp out instead of screwing it out, strangles awhile in the gas, and begins to repeat her alphabet, which, owing to like stern necessity, she has fortunately never forgotten. She says it forward; she says it backward; she begins at the middle and goes up; she begins at the middle and goes down; she rattles it through in French, she groans it through in German, she falters it through in Greek. She attempts the numeration-table, flounders somewhere in the quadrillions, and forgets where she left off. She watches an interminable flock of sheep jump over a wall till her head spins. There always seem to be so many more where the last one came from. She listens to oar-beats, and drum-beats, and heart-beats. She improvises sonatas and gallopades, oratorios and mazourkas. She perpetrates the title and first line of an epic poem, goes through the alphabet for a rhyme, and none appearing, she repeats the first line by way of encouragement. But all in vain.

With a silence that speaks unspeakable things, she rises solemnly, and seeks the pantry in darkness that may be felt. At the bottom of the stairs she steps with her whole weight flat upon something that squirms, and is warm, and turns over, and utters a cry that makes night hideous. O, nothing but the cat, that is all! The pantry proves to be well stocked with bread, but not another mortal thing. Now, if there is anything Keturah particularly dislikes, it is dry bread. Accordingly, with a remark which is intended for Love’s ear alone, she gropes her way to the cellar door, which is unexpectedly open, pitches head-first into the cavity, and makes the descent of half the stairs in an easy and graceful manner, chiefly with her elbows. She reaches the ground after an interval, steps splash into a pool of water, knocks over a mop, and embraces a tall cider barrel with her groping arms. After a little wandering about among ash-bins and apple-bins, reservoirs and coal-heaps and cobwebs, she discovers the hanging-shelf which has been the ignis fatuus of her search. Something extremely cold c
rossing her shoeless feet at this crisis suggests pleasant fancies of a rat. Keturah is ashamed to confess that she has never in all the days of the years of her pilgrimage set eyes upon a rat. Depending solely upon her imagination, her conception of that animal is a cross between an alligator and a jaguar. She stands her ground manfully, however, and is happy to state that she did not faint.