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When you have examined the stupendous Horseshoe Fall till you are satisfied you cannot improve on it, you return to America by the new Suspension Bridge, and follow up the bank to where they exhibit the Cave of the Winds.

Here I followed instructions, and divested myself of all my clothing, and put on a waterproof jacket and overalls. This costume is picturesque, but not beautiful. A guide, similarly dressed, led the way down a flight of winding stairs, which wound and wound, and still kept on winding long after the thing ceased to be a novelty, and then terminated long before it had begun to be a pleasure. We were then well down under the precipice, but still considerably above the level of the river.

We now began to creep along flimsy bridges of a single plank, our persons shielded from destruction by a crazy wooden railing, to which I clung with both hands–not because I was afraid, but because I wanted to. Presently the descent became steeper and the bridge flimsier, and sprays from the American Fall began to rain down on us in fast increasing sheets that soon became blinding, and after that our progress was mostly in the nature of groping. Nova a furious wind began to rush out from behind the waterfall, which seemed determined to sweep us from the bridge, and scatter us on the rocks and among the torrents below. I remarked that I wanted to go home; but it was too late. We were almost under the monstrous wall of water thundering down from above, and speech was in vain in the midst of such a pitiless crash of sound.

In another moment the guide disappeared behind the deluge, and bewildered by the thunder, driven helplessly by the wind, and smitten by the arrowy tempest of rain, I followed. All was darkness. Such a mad storming, roaring, and bellowing of warring wind and water never crazed my ears before. I bent my head, and seemed to receive the Atlantic on my back. The world seemed going to destruction. I could not see anything, the flood poured down savagely. I raised my head, with open mouth, and the most of the American cataract went down my throat. If I had sprung a leak now I had been lost. And at this moment I discovered that the bridge had ceased, and we must trust for a foothold to the slippery and precipitous rocks. I never was so scared before and survived it. But we got through at last, and emerged into the open day, where we could stand in front of the laced and frothy and seething world of descending water, and look at it. When I saw how much of it there was, and how fearfully in earnest it was, I was sorry I had gone behind it.

The noble Red Man has always been a friend and darling of mine. I love to read about him in tales and legends and romances. I love to read of his inspired sagacity, and his love of the wild free life of mountain and forest, and his general nobility of character, and his stately metaphorical manner of speech, and his chivalrous love for the dusky maiden, and the picturesque pomp of his dress and accoutrements. Especially the picturesque pomp of his dress and accoutrements. When I found the shops at Niagara Falls full of dainty Indian beadwork, and stunning moccasins, and equally stunning toy figures representing human beings who carried their weapons in holes bored through their arms and bodies, and had feet shaped like a pie, I was filled with emotion. I knew that now, at last, I was going to come face to face with the noble Red Man.

A lady clerk in a shop told me, indeed, that all her grand array of curiosities were made by the Indians, and that they were plenty about the Falls, and that they were friendly, and it would not be dangerous to speak to them. And sure enough, as I approached the bridge leading over to Luna Island, I came upon a noble Son of the Forest sitting under a tree, diligently at work on a bead reticule. He wore a slouch hat and brogans, and had a short black pipe in his mouth. Thus does the baneful contact with our effeminate civilization dilute the picturesque pomp which is so natural to the Indian when far removed from us in his native haunts. I addressed the relic as follows: