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CHAPTER I.

Just at the end of the village of Dosenheim, in Alsace, about fifty yards from the gravelly road that leads into the wood, is a pretty cottage surrounded with an orchard, the flat roof loaded with boulder-stones, the gable-end looking down the valley.

Flights of pigeons wheel around it, hens are scratching and picking up what they can under the fences, the cock takes his stand majestically on the low garden wall, and sounds the reveillee, or the retreat, for the echoes of Falberg to repeat; an outside staircase, with its wooden banisters, the linen of the little household hanging over it, leads to the first story, and a vine climbs up the front, and spreads its leafy branches from side to side.

If you will only go up these steps you will see at the end of the narrow entry the kitchen, with its dresser and its pewter plates and dishes, its soup-tureens puffing out like balloons; open the door to the right and you are in the parlour with its dark oak furniture, a ceiling crossed by brown smoke-stained rafters, and its old Nuremberg clock click-clacking monotonously.

Here sits a woman of five-and-thirty, spinning and dreaming, her waist encircled with a long black taffety bodice, and her head covered with a velvet headdress, with long ribbons.

A man in broad-skirted velveteen coat, with breeches of the same, and with a fine open brow, looking calm and thoughtful, is dandling on his knee a fine stout boy, whistling the call to “boot and saddle.”

There lies the quiet village at the end of the valley, framed, as you sit, in the little cottage window; the river is leaping over the mill-dam and crossing the winding street; the old houses, with their deep and gloomy eaves, their barns, their gabled windows, their nets drying in the sun; the young girls, kneeling by the river-side on the stones, washing linen; the cattle lazily lounging down to drink, and gravely lowing amidst the willows; the young herdsmen cracking their whips; the mountain summit, jagged like a saw by the pointed fir-tree tops–all these rural objects lie reflected in the flowing blue stream, only broken by the fleets of ducks sailing down or the occasional passage of an old tree rooted up on the mountain-side.

Looking quietly on these things, you are impressed with a sense of the ease and comfort of which they speak, and you are moved with gratitude to the Giver of all good.

Well, my dear friends and neighbours, such was the cottage of the Bremers in 1820, such were Bremer himself, his wife Catherine, and their son, little Fritz.

To my own mind they come back exactly as I have described them to you.

Christian Bremer had served in the chasseurs of the Imperial Guard. After 1815 he had married Catherine, his old sweetheart, grown a little older, but quite fresh and fair, and full of grace. With his own little property, his house, and his four or five acres of vineyard, and Catherine’s added to it, Bremer had become one of the most substantial bourgeois of Dosenheim; he might have been mayor, or adjoint, or municipal councillor, but these honours had no attractions for him; and what pleased him best was, after work was over, to take down his old gun, whistle for Friedland, and take him a turn in the woods.

Now it fell out one day that this worthy man, coming home after a day’s shooting, brought in his bag a little gipsy girl two or three years old, as lively as a squirrel, and as brown as a hazel-nut. He had found her in the bundle of an unhappy gipsy woman who had died of fatigue or hunger, or both, at the foot of a tree.

You may well imagine what an outcry Catherine raised against this new uninvited member of her family. But as Bremer was master in his own house, he simply announced to his wife that the child should be christened by the name of Susanna Frederica Myrtle, and that she should be brought up with little Fritz.