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My Private Menagerie
by
The sun has its spots, the diamond its flaws, and perfection itself its little weak points. Eponine, it must be owned, has an overmastering fondness for fish, a taste she shares in common with all her race. The Latin proverb, Catus amat pisces, sed non vult tingere plantas, to the contrary notwithstanding, she is always ready to pop her paw into the water to fish out a blay, a small carp, or a trout. Fish makes her well-nigh delirious, and like children eagerly looking for the dessert, she is apt to object to the soup, when the preliminary investigations she has carried on in the kitchen have enabled her to ascertain that the fish has duly come in and that there is no reason why Vatel should run himself through with his sword. In such cases we do not help her to fish, and I remark to her, in a cold tone, “A lady who has no appetite for soup cannot have any appetite for fish,” and the dish is remorselessly sent past her. Then seeing that it is no joking matter, dainty Eponine bolts her soup in hot haste, licks up the very last drop of the bouillon, puts away the minutest crumb of bread or Italian paste, and turns round to me with the proud look of one conscious of being without fear or reproach and of having fulfilled her duty. Her share of the fish is handed to her, and she despatches it with every mark of extreme satisfaction. Then, having tasted a little of every dish, she winds up her meal by drinking one-third of a glassful of water.
If we happen to have guests at dinner, Eponine does not need to have seen them enter to be aware that there is to be company. She simply looks at her place, and if she sees a knife, fork, and spoon laid there, she makes off at once and perches on the piano stool, her usual place of refuge in such cases. Those who deny reasoning powers to animals may explain this fact, so simple apparently, yet so suggestive, as best they may. That judicious and observant cat of mine deduces from the presence by her plate of utensils which man alone understands how to use that she must give up her position for that day to a guest, and she forthwith does so. Never once has she made a mistake. Only, when she is well acquainted with the particular guest, she will climb upon his knee and seek, by her graceful ways and her caresses, to induce him to bestow some tit-bit upon her.
But enough of this; I must not weary my readers, and stories of cats are less attractive than stories about dogs. Yet I deem that I ought to tell of the deaths of Enjolras and Gavroche. In the Latin Rudiments there is a rule stated thus: Sua eum perdidit ambitio. Of Enjolras it may be said: Sua eum perdidit pinguitudo, that is, his admirable condition was the cause of his death. He was killed by idiotic fanciers of jugged hare. His murderers, however, perished before the end of the year in the most painful manner; for the death of a black cat, an eminently cabalistic animal, never goes unavenged.
Gavroche, seized with a frantic love of freedom, or rather with a sudden attack of vertigo, sprang out of the window one day, crossed the street, climbed the fence of the Parc Saint-James, which faces our house, and vanished. In spite of our utmost endeavours, we never managed to hear of him again, and a shadow of mystery hangs over his fate; so that the only survivor of the Black Dynasty is Eponine, who is still faithful to her master and has become a thorough cat of letters.
Her companion now is a magnificent angora cat, whose gray and silver fur recalls Chinese spotted porcelain. He is called Zizi, alias “Too Handsome to Work.” The handsome fellow lives in a sort of contemplative kief, like a theriaki under the influence of the drug, and makes one think of “The Ecstasies of Mr. Hochenez.” Zizi is passionately fond of music, and, not satisfied with listening to it, he indulges in it himself. Sometimes, in the dead of night, when everybody is asleep, a strange, fantastic melody, which the Kreislers and the musicians of the future might well envy, breaks in upon the silence. It is Zizi walking upon the key-board of the piano which has been left open, and who is at once astonished and delighted at hearing the keys sing under his tread.