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Our echoes roll from soul to soul,
And grow forever and forever.

She had a peculiarly sentimental temperament. As I look back at it all now, she was much given to dwelling upon old-time poems and romances, which we thought very ridiculous in any one, especially in a spinster of forty odd. She would stop and talk about the branch of a tree with the leaves all turning red or yellow or purple in the common way in which, as everyone knows, leaves always turn in the fall; or even about a tangle of briers, scarlet with frost, in a corner of an old worm-fence, keeping us waiting while she fooled around a brier patch with old Blinky, who would just as lief have been in one place as another, so it was out of doors; and even when she reached the house she would still carry on about it, worrying us by telling over again just how the boughs and leaves looked massed against the old gray fence, which she could do till you could see them precisely as they were. She was very aggravating in this way. Sometimes she would even take a pencil or pen and a sheet of paper for old Blinky, and reproduce it. She could not draw, of course, for she was not a painter; all she could do was to make anything look almost just like it was.

There was one thing about her which excited much talk; I suppose it was only a piece of old-maidism. Of course she was religious. She was really very good. She was considered very high church. I do not think, from my recollection of her, that she really was, or, indeed, that she could have been; but she used to talk that way, and it was said that she was. In fact, it used to be whispered that she was in danger of becoming a Catholic. I believe she had an aunt that was one, and she had visited several times in Norfolk and Baltimore, where it was said there were a good many. I remember she used to defend them, and say she knew a great many very devout ones. And she admitted that she sometimes went to the Catholic church, and found it devotional; the choral service, she said, satisfied something in her soul. It happened to be in the evening that she was talking about this. She sat down at the piano, and played some of the Gregorian chants she had heard, and it had a soothing influence on everyone. Even Joe, the fidgetiest of all, sat quite still through it. She said that some one had said it was the music that the angels sing in heaven around the great white throne, and there was no other sacred music like it. But she played another thing that evening which she said was worthy to be played with it. It had some chords in it that I remembered long afterward. Years afterward I heard it played the same way in the twilight by one who is a blessed saint in heaven, and may be playing it there now. It was from Chopin. She even said that evening, under the impulse of her enthusiasm, that she did not see, except that it might be abused, why the crucifix should not be retained by all Christian churches, as it enabled some persons not gifted with strong imaginations to have a more vivid realization of the crucified Saviour. This, of course, was going too far, and it created considerable excitement in the family, and led to some very serious talk being given her, in which the second commandment figured largely. It was considered as carrying old-maidism to an extreme length. For some time afterward she was rather discountenanced. In reality, I think what some said was true: it was simply that she was emotional, as old maids are apt to be. She once said that many women have the nun’s instinct largely developed, and sigh for the peace of the cloister.