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He relished his walk so well that he repeated it next day. He was a little earlier at the cottage than on the day before, and he could hear the children upstairs singing to a regular measure, and clapping out the time with their hands.

“Still, there is no sound of any musical instrument,” he said, listening at the corner, “and yet I saw the performing hands again as I came by. What are the children singing? Why, good Lord, they can never be singing the multiplication table?”

They were, though, and with infinite enjoyment. The mysterious face had a voice attached to it, which occasionally led or set the children right. Its musical cheerfulness was delightful. The measure at length stopped, and was succeeded by a murmuring of young voices, and then by a short song which he made out to be about the current month of the year, and about what work it yielded to the labourers in the fields and farmyards. Then there was a stir of little feet, and the children came trooping and whooping out, as on the previous day. And again, as on the previous day, they all turned at the garden-gate, and kissed their hands–evidently to the face on the window-sill, though Barbox Brothers from his retired post of disadvantage at the corner could not see it.

But, as the children dispersed, he cut off one small straggler–a brown-faced boy with flaxen hair–and said to him:

“Come here, little one. Tell me, whose house is that?”

The child, with one swarthy arm held up across his eyes, half in shyness, and half ready for defence, said from behind the inside of his elbow:

“Phoebe’s.”

“And who,” said Barbox Brothers, quite as much embarrassed by his part in the dialogue as the child could possibly be by his, “is Phoebe?”

To which the child made answer: “Why, Phoebe, of course.”

The small but sharp observer had eyed his questioner closely, and had taken his moral measure. He lowered his guard, and rather assumed a tone with him: as having discovered him to be an unaccustomed person in the art of polite conversation.

“Phoebe,” said the child, “can’t be anybobby else but Phoebe. Can she?”

“No, I suppose not.”

“Well,” returned the child, “then why did you ask me?”

Deeming it prudent to shift his ground, Barbox Brothers took up a new position.

“What do you do there? Up there in that room where the open window is. What do you do there?”

“Cool,” said the child.

“Eh?”

“Co-o-ol,” the child repeated in a louder voice, lengthening out the word with a fixed look and great emphasis, as much as to say: “What’s the use of your having grown up, if you’re such a donkey as not to understand me?”

“Ah! School, school,” said Barbox Brothers. “Yes, yes, yes. And Phoebe teaches you?”

The child nodded.

“Good boy.”

“Tound it out, have you?” said the child.

“Yes, I have found it out. What would you do with twopence, if I gave it you?”

“Pend it.”

The knock-down promptitude of this reply leaving him not a leg to stand upon, Barbox Brothers produced the twopence with great lameness, and withdrew in a state of humiliation.

But, seeing the face on the window-sill as he passed the cottage, he acknowledged its presence there with a gesture, which was not a nod, not a bow, not a removal of his hat from his head, but was a diffident compromise between or struggle with all three. The eyes in the face seemed amused, or cheered, or both, and the lips modestly said: “Good-day to you, sir.”

“I find I must stick for a time to Mugby Junction,” said Barbox Brothers with much gravity, after once more stopping on his return road to look at the Lines where they went their several ways so quietly. “I can’t make up my mind yet which iron road to take. In fact, I must get a little accustomed to the Junction before I can decide.”