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PAGE 13

Mrs. Lirriper’s Legacy
by [?]

“Ah poor man!” says Jemmy stepping forward and touching one of his hands with great gentleness. “My heart melts for him. Poor, poor man!”

The eyes that were so soon to close for ever turned to me, and I was not that strong in the pride of my strength that I could resist them.

“My darling boy, there is a reason in the secret history of this fellow-creetur lying as the best and worst of us must all lie one day, which I think would ease his spirit in his last hour if you would lay your cheek against his forehead and say, ‘May God forgive you!'”

“O Gran,” says Jemmy with a full heart, “I am not worthy!” But he leaned down and did it. Then the faltering fingers made out to catch hold of my sleeve at last, and I believe he was a-trying to kiss me when he died.

* * *

There my dear! There you have the story of my Legacy in full, and it’s worth ten times the trouble I have spent upon it if you are pleased to like it.

You might suppose that it set us against the little French town of Sens, but no we didn’t find that. I found myself that I never looked up at the high tower atop of the other tower, but the days came back again when that fair young creetur with her pretty bright hair trusted in me like a mother, and the recollection made the place so peaceful to me as I can’t express. And every soul about the hotel down to the pigeons in the courtyard made friends with Jemmy and the Major, and went lumbering away with them on all sorts of expeditions in all sorts of vehicles drawn by rampagious cart- horses,–with heads and without,–mud for paint and ropes for harness,–and every new friend dressed in blue like a butcher, and every new horse standing on his hind legs wanting to devour and consume every other horse, and every man that had a whip to crack crack-crack-crack-crack-cracking it as if it was a schoolboy with his first. As to the Major my dear that man lived the greater part of his time with a little tumbler in one hand and a bottle of small wine in the other, and whenever he saw anybody else with a little tumbler, no matter who it was,–the military character with the tags, or the inn-servants at their supper in the courtyard, or townspeople a chatting on a bench, or country people a starting home after market,–down rushes the Major to clink his glass against their glasses and cry,–Hola! Vive Somebody! or Vive Something! as if he was beside himself. And though I could not quite approve of the Major’s doing it, still the ways of the world are the ways of the world varying according to the different parts of it, and dancing at all in the open Square with a lady that kept a barber’s shop my opinion is that the Major was right to dance his best and to lead off with a power that I did not think was in him, though I was a little uneasy at the Barricading sound of the cries that were set up by the other dancers and the rest of the company, until when I says “What are they ever calling out Jemmy?” Jemmy says, “They’re calling out Gran, Bravo the Military English! Bravo the Military English!” which was very gratifying to my feelings as a Briton and became the name the Major was known by.

But every evening at a regular time we all three sat out in the balcony of the hotel at the end of the courtyard, looking up at the golden and rosy light as it changed on the great towers, and looking at the shadows of the towers as they changed on all about us ourselves included, and what do you think we did there? My dear, if Jemmy hadn’t brought some other of those stories of the Major’s taking down from the telling of former lodgers at Eighty-one Norfolk Street, and if he didn’t bring ’em out with this speech: