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“You will stay with us this evening, won’t you?” says Felicia. No: he was not free for the evening. “What! another engagement? Surely you can put it off?” No; impossible to put it off. “Is it a ball, or a party of some kind?” No answer; he changed the subject–he offered Felicia the money repaid to him for the bracelet. “Buy one for yourself, my dear, this time.” Felicia handed him back the money, rather too haughtily, perhaps. “I don’t want a bracelet,” she said; “I want your company in the evening.”

He jumped up, good-tempered as he was, in something very like a rage–then looked at me, and checked himself on the point (as I believe) of using profane language. “This is downright persecution!” he burst out, with an angry turn of his head toward his wife. Felicia got up, in her turn. “Your language is an insult to my father and to me!” He looked thoroughly staggered at this: it was evidently their first serious quarrel.

Felicia took no notice of him. “I will get ready directly, father; and we will go out together.” He stopped her as she was leaving the room–recovering his good temper with a readiness which it pleased me to see. “Come, come, Felicia! We have not quarreled yet, and we won’t quarrel now. Let me off this one time more, and I will devote the next three evenings of your father’s visit to him and to you. Give me a kiss, and make it up.” My daughter doesn’t do things by halves. She gave him a dozen kisses, I should think–and there was a happy end of it.

“But what shall we do to-morrow evening?” says Marmaduke, sitting down by his wife, and patting her hand as it lay in his.

“Take us somewhere,” says she. Marmaduke laughed. “Your father objects to public amusements. Where does he want to go to?” Felicia took up the newspaper. “There is an oratorio at Exeter Hall,” she said; “my father likes music.” He turned to me. “You don’t object to oratorios, sir?” “I don’t object to music,” I answered, “so long as I am not required to enter a theater.” Felicia handed the newspaper to me. “Speaking of theaters, father, have you read what they say about the new play? What a pity it can’t be given out of a theater!” I looked at her in speechless amazement. She tried to explain herself. “The paper says that the new play is a service rendered to the cause of virtue; and that the great actor, Barrymore, has set an example in producing it which deserves the encouragement of all truly religious people. Do read it, father!” I held up my hands in dismay. My own daughter perverted! pinning her faith on a newspaper! speaking, with a perverse expression of interest, of a stage-play and an actor! Even Marmaduke witnessed this lamentable exhibition of backsliding with some appearance of alarm. “It’s not her fault, sir,” he said, interceding with me. “It’s the fault of the newspaper. Don’t blame her!” I held my peace; determining inwardly to pray for her. Shortly afterward my daughter and I went out. Marmaduke accompanied us part of the way, and left us at a telegraph office. “Who are you going to telegraph to?” Felicia asked. Another mystery! He answered, “Business of my own, my dear”–and went into the office.

September 12th.–Is my miserable son-in-law’s house under a curse? The yellow-haired woman in the open carriage drove up to the door at half-past ten this morning, in a state of distraction. Felicia and I saw her from the drawing-room balcony–a tall woman in gorgeous garments. She knocked with her own hand at the door–she cried out distractedly, “Where is he? I must see him!” At the sound of her voice, Marmaduke (playing with his little dog in the drawing-room) rushed downstairs and out into the street. “Hold your tongue!” we heard him say to her. “What are you here for?”