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PAGE 10

Moths in the Arc Light
by [?]

He was becoming a clumsy sort of mystic in his aching care for her. When he waved good-night he was sending her his deepest self to stand as an invisible power beside her all the dark night. When he watched the others in her office he was not a peering gossip; he was winning them over to affection for her.

But not too affectionate!

He disapproved of the new young man who went to work in the office opposite a week or two after Emily’s return. The new young man went about in his shirt sleeves, but the shirt seemed to be of silk, and he wore large intelligentsia tortoise-shell spectacles, and smoked a college sort of pipe in a dear-old-dormitory way. He had trained his molasses-colored locks till each frightened hair knew its little place and meekly kept it all day long. He was a self-confident, airy new young man, and apparently he was at least assistant manager. He was to be beheld talking easily to Emily’s chief, one foot up on a chair, puffing much gray smoke.

The new young man appeared to like Emily. He had his own stenographer in his coop ‘way over at the left, but he was always hanging about Emily’s desk, and she looked up at him brightly. He chatted with her at closing hour, and at such times her back was to the window; and across the street Bates discreditably neglected his work and stood muttering things about drowning puppies.

She still waved good-night to Bates, but he fancied that she was careless about it.

“Oh, I’m just the faithful old dog. Young chap comes along—I’m invited to the wedding! I bet I’ve been best man at more weddings than any other man in New York. I know the Wedding March better than the organist of St. Thomas’, and I can smell lost rings across the vestry. Of course. That’s all they want me for,” said Bates.

And he dictated a violent letter to the company which made the cards for the indicator, and bitterly asked the office boy if he could spare time from the movies to fill the inkwells during the next few months.

Once Emily and the new young man left the office together at closing time, and peering twelve stories down Bates saw them emerging, walking together down the street. The young man was bending over her, and as they were submerged in the crowd Emily glanced at him with a gay upward toss of her head.

The lonely man at the window above sighed. “Well—well, I wanted her to be happy. But that young pup—Rats! He’s probably very decent. Heavens and earth, I’m becoming a moral Peeping Tom! I hate myself! But—I’m going to meet her. I won’t let him take her away! I won’t!”

Easy to say, but like paralysis was Bates’ training in doing what other nice people do—in never being ridiculous. He despised queer people, socialists and poets and chaps who let others know they were in love.

Still thinking about it a week later he noticed no one about him as he entered a near-by tea room for lunch, and sat at a tiny, white, fussy table, with a paranoiac carmine rabbit painted in one corner of the bare top. He vaguely stared at a menu of walnut sandwiches, cream-cheese sandwiches, and chicken hash.

He realized that over the top of the menu he was looking directly at Emily, alone, at another dinky white table across the room.

Suppose she should think that he had followed her? That he was a masher? Horrible!

He made himself small in his chair, and to the impatient waitress modestly murmured: “Chicken hash, please; cuppa coffee. ”