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Another arrow in Tommy’s modest quiver was the establishment of an instantaneous intimacy between herself and her audience. The singing of her songs was precisely like the narration of so many stories, told so simply and directly that the most hardened critic would have his sting removed without being aware of it. He would know that Tommy hadn’t a remarkable voice, but he would forget to mention it because space was limited. Sometimes he would say that she was an interpreter rather than a singer, and Tommy, for her part, was glad to be called anything, and grateful when she wasn’t brutally arraigned for the microscopic size of her talent.

It was Tommy’s captivating friendliness and the quality of her smile that “did” for the shyest and stiffest of men, for by the time she had finished her programme the thunderbolt, the classic, the eternal thunderbolt, had fallen, and Fergus Appleton was in love. Tommy began her unconscious depredations with “Near Woodstock Town” and “Phillida Flouts Me,” added fuel to the flames with “My Heart’s in the Highlands” and “Charlie Is My Darling,” and reduced his heart to ashes with “Allan Water” and “Has Sorrow Thy Young Days Shaded?” The smile began it, but it was tears that worked the final miracle, though moisture very rarely has this effect on fires of any sort.

Tommy was tired and a bit disheartened; Appleton, the only responsive person in the audience, was seated in a far corner of the room, completely hidden behind a lady of formidable width and thickness, so the singer could not be expected to feel the tidal waves of appreciation he was sending toward her, although they ran so high at one moment that he could have risen to his feet and begged her to elope with him. The rest of her hearers sat heavily, stodgily in their seats without moving a muscle, mental, emotional, or physical. They had no private sitting-rooms, and they might as well be where they were as anywhere else; that was the idea they conveyed in every feature of their expressionless faces. An old gentleman in the front row left the room during the last song on the programme, and Appleton was beset by, and resisted, a vulgar temptation to put out his foot and trip him up in the doorway. When Tommy sang:

“Has hope, like the bird in the story,
That flitted from tree to tree
With the talisman’s glitt’ring glory,
Has hope been that bird to thee?
On branch after branch alighting,
The gem did she still display,
And when nearest and most inviting,
Then waft the fair gem away.”

“Yes, yes, a thousand times yes,” answered Fergus Appleton’s heart, for the first time in his life conscious of loneliness, lack of purpose, lack of anchorage, lack of responsibilities, lack of everything he had never wanted before, but wanted desperately all at once, and quite independent of logic.

He slipped out of the door and let the scattered units in the audience assemble, pass him, and drift down the corridor toward the office and lounge. To his astonishment and anger they dropped shillings on the plate, and the young people sixpences and, great Heavens! even pennies; one half-crown, the tacit apology of the old gentleman who had left early, was the only respectable offering. Appleton took out a sovereign, and then was afraid to put it in the collection for fear of exciting the singer’s curiosity, so he rummaged his pockets for half-crowns and two-shilling pieces. Finding only two or three, he changed his mind and put back the gold-piece just in time to avoid the eye of the page, who came to take the offering back to Miss Tucker. Appleton twisted his mustache nervously, and walked slowly toward the anteroom with no definite idea in mind, save perhaps that she might issue from her retreat and recognize him as she passed. (As a matter of fact she had never once noticed him on the steamer, but the poor wretch was unconscious of that misfortune!) The page came out, putting something in his pocket, and left the door half open behind him. Appleton wheeled swiftly, feeling like a spy, but not until he had seen Miss Thomasina Tucker take a large copper coin from the plate, fling it across the room, bury the plate of silver upside down in a sofa cushion, and precipitate herself upon it with a little quivering wail of shame, or disappointment, or rage, he could hardly determine which.