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However, he had nothing to complain of, for he got as good as he gave, and it occurred to him that he could not expect to start a disastrous conflagration in any maiden bosom so long as he had no brimstone, nor any substitute for it, on his own premises.

“Anyway,” he reflected (though perhaps not oftener than once a year), “if I haven’t a tie in the world, I have complete freedom to do as I like!” And if the said freedom palled upon him occasionally, nobody was the wiser, for Fergus Appleton did not wear his heart on his sleeve.

As for Tommy, there had been several Thomas Tuckers in genealogical line, and the father of Thomasina was already Thomas Tucker the third. Mr. and Mrs. Tucker, the parents of the first Thomas, must have been somewhat lacking in humor, and somewhat ignorant of the classics, for although they could not, perhaps, help being Tuckers, they needn’t have saddled their offspring with a Christian name which would suggest Mother Goose to every properly educated person. However, the first Thomas grew into a great man, healthy, wealthy, and wise, and his descendants could hardly do less than keep his name alive. Thomas the third was disappointed, not to say mortified, when his only child, born in his old age, turned out to be a girl, but he bravely did the best he could and named her Thomasina. Mrs. Tucker did not like the name, but she died before the baby was three days old. The baby hated it herself when she reached years of discretion, and when she found that she possessed a voice and had a possible career before her, she saw plainly that something more mellifluous must be substituted if programmes should ever be in question. Meantime she was Tommy to her friends, and the gay little name suited her to a T. The gay little rhyme suited her, too, for like the Tommy Tucker in Mother Goose, she had to “sing for her supper”; for her breakfast, and her dinner, and her tea also, for that matter, if any were to be eaten.

Her only relation, a disagreeable bachelor uncle, had given her a home during her orphaned girlhood, and her first idea on growing up was to get out of it. This she did promptly when she secured a place in a Brooklyn choir. The salary was modest, but it provided a room and at least one meal a day, not, of course, a Roman banquet, but something to satisfy a youthful appetite. It seemed to the intrepid possessor of a charming voice, an equally charming face, and a positive gift for playing accompaniments, that the other two meals, and a few clothes and sundries, might be forthcoming. As a matter of fact, they were, although the uncle said that Tommy would starve, and he almost hoped that she would, just to break the back of her obstinate independence.

II

Tommy had none too much to eat, and, according to her own aesthetic ambitions, nothing at all to wear; but she was busy all day long and absurdly happy. Her income was uncertain, but that was amusing and thrilling rather than pitiful or tragic. She had two or three “steadies” among singers, who gave her engagements as accompanist at small drawing-room recitals or charitable entertainments. There was a stout prima donna whose arias for dramatic soprano kept her practicing until midnight, and a rich young lady amateur who needed a very friendly and careful accompaniment because she sang flat and always lost her breath before the end of a long phrase. The manner in which Tommy concealed these defects was thoroughly ingenious and sympathetic. When Miss Guggenheim paused for breath, Tommy filled the gap with instrumental arabesques; when she was about to flat, Tommy gave her the note suggestively. If she was too dreadfully below pitch, and had breath enough to hang on to the note so long that the audience (always composed of invited guests) writhed obviously, Tommy would sometimes drop a sheet of music on the floor and create a diversion, always apologizing profusely for her clumsiness. The third patron was a young baritone, who liked Miss Tucker’s appearance on the platform and had her whenever he didn’t sing Schubert’s “Erl Koenig,” which Tommy couldn’t play. This was her most profitable engagement, but it continued alas! for only three months, for the baritone wanted to marry her, and she didn’t like him because he was bald and his neck was too fat. Also, she was afraid she would have to learn to play the “Erl Koenig” properly.