FullReads

After due reflection he gave up the idea of the claque, and rested Tommy’s case on the knees of the gods, where it transpired that it was much safer, for Torquay liked Tommy, and the concert went off with enormous eclat. From the moment that Miss Thomasina Tucker appeared on the platform the audience looked pleased. She wore a quaint dress of white flounced chiffon, with a girdle of green, and a broad white hat with her old mignonette garland made into two little nosegays perched on either side of the transparent brim. She could not wear the mignonette that Appleton had sent to her dressing-room, because she would have been obscured by the size of the offering, but she carried as much of it as her strength permitted, and laid the fragrant bouquet on the piano as she passed it. (A poem had come with it, but Tommy did not dare read it until the ordeal was over, for no one had ever written her a poem before. It had three long verses, and was signed “F.A.”–that was all she had time to note.)

A long-haired gentleman sitting beside Appleton remarked to his neighbor: “The girl looks like a flower; it’s a pity she has such a heathenish name! Why didn’t they call her Hope, or Flora, or Egeria, or Cecilia?”

When the audience found that Miss Tucker’s singing did not belie her charming appearance, they cast discretion to the winds and loved her. Appleton himself marveled at the beauty of her performance as it budded and bloomed under the inspiration of her fellow artists and the favor of the audience, and the more he admired the more depressed he became.

“She may be on the threshold of a modest ‘career,’ of a sort, after all,” he thought, “and she will never give it up for me. Would she be willing to combine me with the career, and how would it work? I shouldn’t be churl enough to mind her singing now and then, but it seems to me I couldn’t stand ‘tours.’ Besides, hers is such a childlike, winsome, fragrant little gift it ought not to be exploited like a great, booming talent!”

The audience went wild over Donald Tovey’s songs. He played, and Tommy sang them from memory, and it seemed as if they had been written then and there, struck off at white heat; as if the composer happened to be at the piano, and the singer chanced with his help to be interpreting those particular verses for that particular moment.

His setting of “Jock o’Hazeldean” proved irresistible:

“They sought her baith by bower an ha’;
The ladie was not seen.”

And then with a swirl and a torrent of sound, a clangor of sword and a clatter of hoofs:

“She’s o’er the Border and awa’
Wi’ Jock o’ Hazeldean.”

Appleton didn’t see any valid reason why Tovey should kiss Tommy’s hand in responding to the third recall, but supposed it must be a composer’s privilege, and wished that he were one.

Then the crowd made its way into the brilliant Torquay sunshine, and Appleton lingered in the streets until the time came for the tea-party arranged for the artists at the hotel.

It was a gay little gathering, assisted by a charming lady of the town, who always knew the celebrated people who flock there in all seasons. Spalding and Tovey were the lions, but Miss Thomasina Tucker did not lack for compliments. Her cheeks glowed and her eyes sparkled under the white tulle brim of her hat. Her neck looked deliciously white and young, rising from its transparent chiffons, and her bunch of mignonette gave a note of delicate distinction. The long-haired gentleman was present, and turned out to be a local poet. He told Miss Tucker that she ought never to wear or to carry another flower. “Not, at all events, till you pass thirty!” he said. “You belong together–you, your songs, and the mignonette!”–at which she flung a shy upward glance at Appleton, saying: “It is this American friend who has really established the connection, though I have always worn green and white and always loved the flower.”