PAGE 12
Miss Harriet
by
“Hours passed away in this silent and sinister communion with the dead. A pale light at length announced the dawn of a new day; then a red ray streamed in on the bed, making a bar of light across the coverlet and across her hands. This was the hour she had so much loved. The awakened birds began to sing in the trees.
“I opened the window to its fullest extent and drew back the curtains that the whole heavens might look in upon us, and, bending over the icy corpse, I took in my hands the mutilated head and slowly, without terror or disgust, I imprinted a kiss, a long kiss, upon those lips which had never before been kissed.”
Leon Chenal remained silent. The women wept. We heard on the box seat the Count d’Atraille blowing his nose from time to time. The coachman alone had gone to sleep. The horses, who no longer felt the sting of the whip, had slackened their pace and moved along slowly. The drag, hardly advancing at all, seemed suddenly torpid, as if it had been freighted with sorrow.
[Miss Harriet appeared in Le Gaulois, July 9, 1883, under the title of Miss Hastings. The story was later revised, enlarged; and partly reconstructed. This is what De Maupassant wrote to Editor Havard March 15, 1884, in an unedited letter, in regard to the title of the story that was to give its name to the volume:
“I do not believe that Hastings is a bad name, inasmuch as it is known all over the world, and recalls the greatest facts in English history. Besides, Hastings is as much a name as Duval is with us.
“The name Cherbuliez selected, Miss Revel, is no more like an English name than like a Turkish name. But here is another name as English as Hastings, and more euphonious; it is Miss Harriet. I will ask you therefore to substitute Harriet for Hastings.”
It was in regard to this very tittle that De Maupassant had a disagreement with Audran and Boucheron director of the Bouffes Parisiens in October, 1890 They had given this title to an operetta about to be played at the Bouffes. It ended however, by their ceding to De Maupassant, and the title of the operetta was changed to Miss Helyett.]