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Miss Delamar’s Understudy
by [?]

A young man runs two chances of marrying the wrong woman. He marries her because she is beautiful, and because he persuades himself that every other lovable attribute must be associated with such beauty, or because she is in love with him. If this latter is the case, she gives certain values to what he thinks and to what he says which no other woman gives, and so he observes to himself, “This is the woman who best understands me.”

You can reverse this and say that young women run the same risks, but as men are seldom beautiful, the first danger is eliminated. Women still marry men, however, because they are loved by them, and in time the woman grows to depend upon this love and to need it, and is not content without it, and so she consents to marry the man for no other reason than because he cares for her. For if a dog, even, runs up to you wagging his tail and acting as though he were glad to see you, you pat him on the head and say, “What a nice dog.” You like him because he likes you, and not because he belongs to a fine breed of animal and could take blue ribbons at bench shows.

This is the story of a young man who was in love with a beautiful woman, and who allowed her beauty to compensate him for many other things. When she failed to understand what he said to her he smiled and looked at her and forgave her at once, and when she began to grow uninteresting, he would take up his hat and go away, and so he never knew how very uninteresting she might possibly be if she were given time enough in which to demonstrate the fact. He never considered that, were he married to her, he could not take up his hat and go away when she became uninteresting, and that her remarks, which were not brilliant, could not be smiled away either. They would rise up and greet him every morning, and would be the last thing he would hear at night.

Miss Delamar’s beauty was so conspicuous that to pretend not to notice it was more foolish than well-bred. You got along more easily and simply by accepting it at once, and referring to it, and enjoying its effect upon other people. To go out of one’s way to talk of other things when every one, even Miss Delamar herself, knew what must be uppermost in your mind, always seemed as absurd as to strain a point in politeness, and to pretend not to notice that a guest had upset his claret, or any other embarrassing fact. For Miss Delamar’s beauty was so distinctly embarrassing that this was the only way to meet it,–to smile and pass it over and to try, if possible, to get on to something else. It was on account of this extraordinary quality in her appearance that every one considered her beauty as something which transcended her private ownership, and which belonged by right to the polite world at large, to any one who could appreciate it properly, just as though it were a sunset or a great work of art or of nature. And so, when she gave away her photographs no one thought it meant anything more serious than a recognition on her part of the fact that it would have been unkind and selfish in her not to have shared the enjoyment of so much loveliness with others.

Consequently, when she sent one of her largest and most aggravatingly beautiful photographs to young Stuart, it was no sign that she cared especially for him.

How much young Stuart cared for Miss Delamar, however, was an open question, and a condition yet to be discovered. That he cared for some one, and cared so much that his imagination had begun to picture the awful joys and responsibilities of marriage, was only too well known to himself, and was a state of mind already suspected by his friends.