FullReads

Where the noisy trains speed over the iron highway past the second-story windows of Allen Street, a cellar door yawns darkly in the shadow of one of the pillars that half block the narrow sidewalk. A dull gleam behind the cobweb-shrouded window pane supplements the sign over the door, in Yiddish and English: “Old Brasses.” Four crooked and mouldy steps lead to utter darkness, with no friendly voice to guide the hapless customer. Fumbling along the dank wall, he is left to find the door of the shop as best he can. Not a likely place to encounter the fastidious from the Avenue! Yet ladies in furs and silk find this door and the grim old smith within it. Now and then an artist stumbles upon them, and exults exceedingly in his find. Two holiday shoppers are even now haggling with the coppersmith over the price of a pair of curiously wrought brass candlesticks. The old man has turned from the forge, at which he was working, unmindful of his callers roving among the dusty shelves. Standing there, erect and sturdy, in his shiny leather apron, hammer in hand, with the firelight upon his venerable head, strong arms bared to the elbow, and the square paper cap pushed back from a thoughtful, knotty brow, he stirs strange fancies. One half expects to see him fashioning a gorget or a sword on his anvil. But his is a more peaceful craft. Nothing more warlike is in sight than a row of brass shields, destined for ornament, not for battle. Dark shadows chase one another by the flickering light among copper kettles of ruddy glow, old-fashioned samovars, and massive andirons of tarnished brass. The bargaining goes on. Overhead the nineteenth century speeds by with rattle and roar; in here linger the shadows of the centuries long dead. The boy at the anvil listens open-mouthed, clutching the bellows-rope.

In Liberty Hall a Jewish wedding is in progress. Liberty! Strange how the word echoes through these sweaters’ tenements, where starvation is at home half the time. It is as an all-consuming passion with these people, whose spirit a thousand years of bondage have not availed to daunt. It breaks out in strikes, when to strike is to hunger and die. Not until I stood by a striking cloak-maker whose last cent was gone, with not a crust in the house to feed seven hungry mouths, yet who had voted vehemently in the meeting that day to keep up the strike to the bitter end,–bitter indeed, nor far distant,–and heard him at sunset recite the prayer of his fathers: “Blessed art thou, O Lord our God, King of the world, that thou hast redeemed us as thou didst redeem our fathers, hast delivered us from bondage to liberty, and from servile dependence to redemption!”–not until then did I know what of sacrifice the word might mean, and how utterly we of another day had forgotten. But for once shop and tenement are left behind. Whatever other days may have in store, this is their day of play, when all may rejoice.

The bridegroom, a cloak-presser in a hired dress suit, sits alone and ill at ease at one end of the hall, sipping whiskey with a fine air of indifference, but glancing apprehensively toward the crowd of women in the opposite corner that surround the bride, a pale little shop-girl with a pleading, winsome face. From somewhere unexpectedly appears a big man in an ill-fitting coat and skullcap, flanked on either side by a fiddler, who scrapes away and away, accompanying the improvisator in a plaintive minor key as he halts before the bride and intones his lay. With many a shrug of stooping shoulders and queer excited gesture, he drones, in the harsh, guttural Yiddish of Hester Street, his story of life’s joys and sorrows, its struggles and victories in the land of promise. The women listen, nodding and swaying their bodies sympathetically. He works himself into a frenzy, in which the fiddlers vainly try to keep up with him. He turns and digs the laggard angrily in the side without losing the metre. The climax comes. The bride bursts into hysterical sobs, while the women wipe their eyes. A plate, heretofore concealed under his coat, is whisked out. He has conquered; the inevitable collection is taken up.