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At twelve o’clock White doubled up in his chair, with his chin on his fist, and shut his eyes at the unbeautiful wall-paper.

“I’ll go you, Billy,” he said, in the quiet tones of decision. “I’ve got two or three hundred saved up for sausages and rent; and I’ll take the chance with you. Five thousand! It will give me two years in Paris and one in Italy. I’ll begin to pack tomorrow.”

“You’ll begin in ten minutes,” said Keogh. “It’s to-morrow now. The ~Karlsefin~ starts back at four P.M. Come on to your painting shop, and I’ll help you.”

For five months in the year Coralio is the Newport of Anchuria. Then only does the town possess life. From November to March it is practically the seat of government. The president with his official family sojourns there; and society follows him. The pleasure-loving people make the season one long holiday of amusement and rejoicing. ~Fiestas~, balls, games, sea bathing, processions and small theatres contribute to their enjoyment. The famous Swiss band from the capital plays in the little plaza every evening, while the fourteen carriages and vehicles in the town circle in funereal but complacent procession. Indians from the interior mountains, looking like pre-historic stone idols, come down to peddle their handiwork in the streets. The people throng the narrow ways, a chattering, happy, careless stream of buoyant humanity. Preposterous children rigged out with the shortest of ballet skirts and gilt wings, howl, underfoot, among the effervescent crowds. Especially is the arrival of the presidential party, at the opening of the season, attended with pomp, show and patriotic demonstrations of enthusiasm and delight.

When Keogh and White reached their destination, on the return trip of the ~Karlsefin~, the gay winter season was well begun. As they stepped upon the beach they could hear the band playing in the plaza. The village maidens, with fireflies already fixed in their dark locks, were gliding, barefoot and coy-eyed, along the paths. Dandies in white linen, swinging their canes, were beginning their seductive strolls. The air was full of human essence, of artificial enticement, of coquetry, indolence, pleasure–the man-made sense of existence.

The first two or three days after their arrival were spent in preliminaries. Keogh escorted the artist about town, introducing him to the little circle of English-speaking residents and pulling whatever wires he could to effect the spreading of White’s fame as a painter. And then Keogh planned a more spectacular demonstration of the idea he wished to keep before the public.

He and White engaged rooms in the Hotel de los Extranjeros. The two were clad in new suits of immaculate duck, with American straw hats, and carried canes of remarkable uniqueness and inutility. Few caballeros in Coralio–even the gorgeously uniformed officers of the Anchurian army–were as conspicuous for ease and elegance of demeanor as Keogh and his friend, the great American painter, Senor White.

White set up his easel on the beach and made striking sketches of the mountain and sea views. The native population formed at his rear in a vast, chattering semicircle to watch his work. Keogh, with his care for details, had arranged for himself a pose which he carried out with fidelity. His ro1e was that of friend to the great artist, a man of affairs and leisure. The visible emblem of his position was a pocket camera.

“For branding the man who owns it,” said he, “a genteel dilettante with a bank account and an easy conscience, a steam-yacht ain’t in it with a camera. You see a man doing nothing but loafing around making snap-shots, and you know right away he reads up well in ‘Bradstreet.’ You notice these old millionaire boys–soon as they get through taking everything else in sight they go to taking photographs. People are more impressed by a kodak than they are by a title or a four-karat scarf-pin.” So Keogh strolled blandly about Coralio, snapping the scenery and the shrinking senoritas, while White posed conspicuously in the higher regions of art.