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It was the lady who had first kissed her that discovered who she was. They had all of them felt sure from the beginning that she was a fairy, and that “Suzanne” could not be her real name. They found it in the “Heptameron of Friar Bonnet. In which is recorded the numerous adventures of the valiant and puissant King Ryence of Bretagne,” which one of them had picked up on the Quai aux Fleurs and brought with him. It told all about the White Ladies, and therein she was described. There could be no mistaking her; the fair body that was like to a willow swayed by the wind. The white feet that could pass, leaving the dew unshaken from the grass. The eyes blue and deep as mountain lakes. The golden locks of which the sun was jealous.

It was all quite clear. She was Malvina, once favourite to Harbundia, Queen of the White Ladies of Brittany. For reasons– further allusion to which politeness forbade–she had been a wanderer, no one knowing what had become of her. And now the whim had taken her to reappear as a little Breton peasant girl, near to the scene of her past glories. They knelt before her, offering her homage, and all the ladies kissed her. The gentlemen of the party thought their turn would follow. But it never did. It was not their own shyness that stood in their way: one must do them that justice. It was as if some youthful queen, exiled and unknown amongst strangers, had been suddenly recognised by a little band of her faithful subjects, passing by chance that way. So that, instead of frolic and laughter, as had been intended, they remained standing with bared heads; and no one liked to be the first to speak.

She put them at their ease–or tried to–with a gracious gesture. But enjoined upon them all her wish for secrecy. And so dismissed they seem to have returned to the village a marvellously sober little party, experiencing all the sensations of honest folk admitted to their first glimpse of high society.

They came again next year–at least a few of them–bringing with them a dress more worthy of Malvina’s wearing. It was as near as Paris could achieve to the true and original costume as described by the good Friar Bonnet, the which had been woven in a single night by the wizard spider Karai out of moonlight. Malvina accepted it with gracious thanks, and was evidently pleased to find herself again in fit and proper clothes. It was hidden away for rare occasions where only Malvina knew. But the lady who had first kissed her, and whose speciality was fairies, craving permission, Malvina consented to wear it while sitting for her portrait. The picture one may still see in the Palais des Beaux Arts at Nantes (the Bretonne Room). It represents her standing straight as an arrow, a lone little figure in the centre of a treeless moor. The painting of the robe is said to be very wonderful. “Malvina of Brittany” is the inscription, the date being Nineteen Hundred and Thirteen.

The next year Malvina was no longer there. Madame Lavigne, folding knotted hands, had muttered her last paternoster. Pere Jean had urged the convent. But for the first time, with him, she had been frankly obstinate. Some fancy seemed to have got into the child’s head. Something that she evidently connected with the vast treeless moor rising southward to where the ancient menhir of King Taramis crowned its summit. The good man yielded, as usual. For the present there were Madame Lavigne’s small savings. Suzanne’s wants were but few. The rare shopping necessary Father Jean could see to himself. With the coming of winter he would broach the subject again, and then be quite firm. Just these were the summer nights when Suzanne loved to roam; and as for danger! there was not a lad for ten leagues round who would not have run a mile to avoid passing, even in daylight, that cottage standing where the moor dips down to the sealands.