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Maese Perez, The Organist
by
IV.
Another year had gone by. The abbess of the Convent of Santa Ines and Maese Perez’s daughter were talking in a low voice, half hidden in the shadows of the church choir. The penetrating voice of the bell was summoning the faithful. A very few people were passing through the portico, silent and deserted, this year, and after taking holy water at the door, were choosing seats in a corner of the nave, where a handful of residents of the neighborhood were quietly waiting for the Christmas Eve mass to begin.
“There, you see,” the mother superior was saying, “your fear is entirely childish; there is no one in the church. All Seville is trooping to the cathedral to-night. Play the organ, and do it without any distrust whatever. We are only a sisterhood here. But why don’t you speak? What has happened? What is the matter with you?”
“I am afraid,” replied the girl, in a tone of the deepest agitation.
“Afraid! Of what?”
“I do not know–something supernatural. Listen to what happened last night. I had heard you say that you were anxious for me to play the organ for the mass. I was proud of the honor, and I thought I would arrange the stops and get the organ in good tune so as to give you a surprise to-day. Alone I went into the choir and opened the door leading to the organ-loft. The cathedral clock was striking just then, I do not know what hour; but the strokes of the bell were very mournful, and they were very numerous– going on sounding for a century, as it seemed to me, while I stood as if nailed to the threshold.
“The church was empty and dark. Far away there gleamed a feeble light, like a faint star in the sky; it was the lamp burning on the high altar. By its flickering light, which only helped to make the deep horror of the shadows the more intense, I saw–I saw–mother, do not disbelieve it–a man. In perfect silence, and with his back turned towards me, he was running over the organ-keys with one hand while managing the stops with the other. And the organ sounded, but in an indescribable manner. It seemed as if each note were a sob smothered in the metal tube, which vibrated under the pressure of the air compressed within it, and gave forth a low, almost imperceptible tone, yet exact and true.
“The cathedral clock kept on striking, and that man kept on running over the keys. I could hear his very breathing.
“Fright had frozen the blood in my veins. My body was as cold as ice, except my head, and that was burning. I tried to cry out, but I could not. That man turned his face and looked at me–no, he did not look at me, for he was blind. It was my father!”
“Nonsense, sister! Banish these fancies with which the adversary endeavors to overturn weak imaginations. Address a Paternoster and an Ave Maria to the archangel, Saint Michael, the captain of the celestial hosts, that he may aid you in opposing evil spirits. Wear on your neck a scapulary which has been pressed to the relics of Saint Pacomio, the counsellor against temptations, and go, go quickly, and sit at the organ. The mass is going to begin, and the faithful are growing impatient. Your father is in heaven, and thence, instead of giving you a fright, will descend to inspire his daughter in the solemn service.”
The prioress went to occupy her seat in the choir in the midst of the sisterhood. Maese Perez’s daughter opened the door of the organ-loft with trembling hand, sat down at the organ, and the mass began.
The mass began, and went on without anything unusual happening until the time of consecration came. Then the organ sounded. At the same time came a scream from Maese Perez’s daughter.
The mother superior, the nuns, and some of the faithful rushed up to the organ-loft.
“Look at him!–look at him!” cried the girl, fixing her eyes, starting from their sockets, upon the seat, from which she had risen in terror. She was clinging with convulsed hands to the railing of the organ-loft.
Everybody looked intently at the spot to which she directed her gaze. No one was at the organ, yet it went on sounding–sounding like the songs of the archangels in their bursts of mystic ecstasy.
“Didn’t I tell you a thousand times, if I did once, dear Dona Baltasara– didn’t I tell you? There is some great mystery about this. What! didn’t you go last night to the Christmas Eve mass? Well, you must know, anyhow, what happened. Nothing else is talked about in the whole city. The archbishop is furious, and no wonder. Not to have gone to Santa Ines, not to have been present at the miracle–and all to hear a wretched clatter! That’s all the inspired organist of San Bartolome made in the cathedral, so persons who heard him tell me. Yes, I said so all the time. The squint-eye never could have played that. It was all a lie. There is some great mystery here. What do I think it was? Why, it was the soul of Maese Perez.”