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Maese Perez, The Organist
by
“Well, then, it’s a settled thing that the organist of San Roman–that squint-eye, who is always slandering other organists–that great blunderer, who seems more like a butcher than a master of sol fa–is going to play this Christmas Eve in Maese Perez’s old place. Of course, you know, for everybody knows it, and it is a public matter in all Seville, that no one dared to try it. His daughter would not, though she is a professor of music herself. After her father’s death she went into the convent as a novice. Her unwillingness to play was the most natural thing in the world; accustomed as she was to those marvellous performances, any other playing must have appeared bad to her, not to speak of her desire to avoid comparisons. But when the sisterhood had already decided that in honor of the dead organist, and as a token of respect to his memory, the organ should not be played to-night, here comes this fellow along, and says that he is ready to play it.
“Ignorance is the boldest of all things. It is true, the fault is not his, so much as theirs who have consented to this profanation, but that is the way of the world. But, I say, there’s no small bit of people coming. Any one would say that nothing had changed since last year. The same distinguished persons, the same elegant costumes, the crowding at the door, the same excitement in the portico, the same throng in the church. Alas! if the dead man were to rise, he would feel like dying again to hear his organ played by inferior hands. The fact is, if what the people of the neighborhood tell me is true, they are getting a fine reception ready for the intruder. When the time comes for him to touch the keys, there is going to break out a racket made by timbrels, drums, and horse-fiddles, so that you can’t hear anything else. But hush! there’s the hero of the occasion going into the church. Goodness! what gaudy clothes, what a neckcloth, what a high and mighty air! Come, hurry up, the archbishop came only a moment ago, and the mass is going to begin. Come on; I guess this night will give us something to talk about for many a day!”
Saying this, the worthy woman, whom the reader recognizes by her abrupt talkativeness, went into the Church of Santa Ines, opening for herself a path, in her usual way, by shoving and elbowing through the crowd.
The ceremony had already begun. The church was as brilliant as the year before.
The new organist, after passing between the rows of the faithful in the nave, and going to kiss the archbishop’s ring, had gone up to the organ-loft, where he was trying one stop of the organ after another, with an affected and ridiculous gravity.
A low, confused noise was heard coming from the common people clustered at the rear of the church, a sure augury of the coming storm, which would not be long in breaking.
“He is a mere clown,” said some, “who does not know how to do anything, not even look straight.”
“He is an ignoramus,” said others, “who, after having made a perfect rattle out of the organ in his own church, comes here to profane Maese Perez’s.”
And while one was taking off his cloak so as to be ready to beat his drum to good advantage, and another was testing his timbrel, and all were more and more buzzing out in talk, only here and there could one be found to defend even that curious person, whose proud and pedantic bearing so strongly contrasted with the modest appearance and kind affability of Maese Perez.
At last the looked-for moment arrived, when the priest, after bowing low and murmuring the sacred words, took the host in his hands. The bells gave forth a peal, like a rain of crystal notes; the transparent waves of incense rose, and the organ sounded.