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PAGE 3

Maese Perez, The Organist
by [?]

The commands of the physicians, the tears of his daughter–nothing had been able to keep him in bed.

“No,” he had said; “this is the last one, I know it. I know it, and I do not want to die without visiting my organ again, this night above all, this Christmas Eve. Come, I desire it, I order it; come, to the church!”

His desire had been gratified. The people carried him in their arms to the organ-loft. The mass began.

Twelve struck on the cathedral clock.

The introit came, then the Gospel, then the offertory, and the moment arrived when the priest, after consecrating the sacred wafer, took it in his hands and began to elevate it. A cloud of incense filled the church in bluish undulations. The little bells rang out in vibrating peals, and Maese Perez placed his aged fingers upon the organ keys.

The multitudinous voices of the metal tubes gave forth a prolonged and majestic chord, which died away little by little, as if a gentle breeze had borne away its last echoes.

To this opening burst, which seemed like a voice lifted up to heaven from earth, responded a sweet and distant note, which went on swelling and swelling in volume until it became a torrent of overpowering harmony. It was the voice of the angels, traversing space, and reaching the world.

Then distant hymns began to be heard, intoned by the hierarchies of seraphim; a thousand hymns at once, mingling to form a single one, though this one was only an accompaniment to a strange melody which seemed to float above that ocean of mysterious echoes, as a strip of fog above the waves of the sea.

One song after another died away. The movement grew simpler. Now only two voices were heard, whose echoes blended. Then but one remained, and alone sustained a note as brilliant as a thread of light. The priest bowed his face, and above his gray head appeared the host. At that moment the note which Maese Perez was holding began to swell and swell, and an explosion of unspeakable joy filled the church.

From each of the notes forming that magnificent chord a theme was developed; and some near, others far away, these brilliant, those muffled, one would have said that the waters and the birds, the breezes and the forests, men and angels, earth and heaven, were singing, each in its own language, a hymn in praise of the Saviour’s birth.

The people listened, amazed and breathless. The officiating priest felt his hands trembling; for it seemed as if he had seen the heavens opened and the host transfigured.

The organ kept on, but its voice sank away gradually, like a tone going from echo to echo, and dying as it goes. Suddenly a cry was heard in the organ-loft–a piercing, shrill cry, the cry of a woman.

The organ gave a strange, discordant sound, like a sob, and then was silent.

The multitude flocked to the stairs leading up to the organ-loft, towards which the anxious gaze of the faithful was turned.

“What has happened? What is the matter?” one asked the other, and no one knew what to reply. The confusion increased. The excitement threatened to disturb the good order and decorum fitting within a church.

“What was that?” asked the great ladies of the chief judge. He had been one of the first to ascend to the organ-loft. Now, pale and displaying signs of deep grief, he was going to the archbishop, who was anxious, like everybody else, to know the cause of the disturbance.

“What’s the matter?”

“Maese Perez has just expired.”

In fact, when the first of the faithful rushed up the stairway, and reached the organ-loft, they saw the poor organist fallen face down upon the keys of his old instrument, which was still vibrating, while his daughter, kneeling at his feet, was vainly calling to him with tears and sobs.

III.

“Good-evening, my dear Dona Baltasara. Are you also going to-night to the Christmas Eve mass? For my part, I was intending to go to the parish church to hear it, but what has happened–where is Vicente going, do you ask? Why, where the crowd goes. And I must say, to tell the truth, that ever since Maese Perez died, it seems as if a marble slab was on my heart whenever I go to Santa Ines. Poor dear man! He was a saint! I know one thing–I keep a piece of his cloak as a relic, and he deserves it. I solemnly believe that if the archbishop would stir in the matter, our grandchildren would see his image among the saints on the altars. But, of course, he won’t do that. The dead and absent have no friends, as they say. It’s all the latest thing, nowadays; you understand me. What? You do not know what has happened? Well, it’s true you are not exactly in our situation. From our house to the church, and from the church to our house–a word here and another one there–on the wing–without any curiosity whatever–I easily find out all the news.