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Maese Perez, The Organist
by
“But why need I try to tell you about what you are going to hear to-night? It is enough for you to see that all the elegance of Seville, the very archbishop included, comes to a humble convent to listen to him. And it is not only the learned people who can understand his skill that come; the common people, too, swarm to the church, and are still as the dead when Maese Perez puts his hand to the organ. And when the host is elevated– when the host is elevated, then you can’t hear a fly. Great tears fall from every eye, and when the music is over a long-drawn sigh is heard, showing how the people have been holding their breath all through.
“But come, come, the bells have stopped ringing, and the mass is going to begin. Hurry in. This is Christmas Eve for everybody, but for no one is it a greater occasion than for us.”
So saying, the good woman who had been acting as cicerone for her neighbor pressed through the portico of the Convent of Santa Ines, and elbowing this one and pushing the other, succeeded in getting inside the church, forcing her way through the multitude that was crowding about the door.
II.
The church was profusely lighted. The flood of light which fell from the altars glanced from the rich jewels of the great ladies, who, kneeling upon velvet cushions placed before them by pages, and taking their prayer-books from the hands of female attendants, formed a brilliant circle around the chancel lattice. Standing next that lattice, wrapped in their richly colored and embroidered cloaks, letting their green and red orders be seen with studied carelessness, holding in one hand their hats, the plumes sweeping the floor, and letting the other rest upon the polished hilts of rapiers or the jewelled handles of daggers, the twenty-four knights, and a large part of the highest nobility of Seville, seemed to be forming a wall for the purpose of keeping their wives and daughters from contact with the populace. The latter, swaying back and forth at the rear of the nave, with a noise like that of a rising surf, broke out into joyous acclamations as the archbishop was seen to come in. That dignitary seated himself near the high altar under a scarlet canopy, surrounded by his attendants, and three times blessed the people.
It was time for the mass to begin.
Nevertheless, several minutes passed before the celebrant appeared. The multitude commenced to murmur impatiently; the knights exchanged words with each other in a low tone; and the archbishop sent one of his attendants to the sacristan to inquire why the ceremony did not begin.
“Maese Perez has fallen sick, very sick, and it will be impossible for him to come to the midnight mass.”
This was the word brought back by the attendant.
The news ran instantly through the crowd. The disturbance caused by it was so great that the chief judge rose to his feet, and the officers came into the church, to enforce silence.
Just then a man of unpleasant face, thin, bony, and cross-eyed too, pushed up to the place where the archbishop was sitting.
“Maese Perez is sick,” he said; “the ceremony cannot begin. If you see fit, I will play the organ in his absence. Maese Perez is not the best organist in the world, nor need this instrument be left unused after his death for lack of any one able to play it.”
The archbishop nodded his head in assent, although some of the faithful, who had already recognized in that strange person an envious rival of the organist of Santa Ines, were breaking out in cries of displeasure. Suddenly a surprising noise was heard in the portico.
“Maese Perez is here! Maese Perez is here!”
At this shout, coming from those jammed in by the door, every one looked around.
Maese Perez, pale and feeble, was in fact entering the church, brought in a chair which all were quarrelling for the honor of carrying upon their shoulders.