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The chief fastened his eyes on me for an instant, turned abruptly, called to an attendant, gave an order in a low voice and, with the words to Vittorio–“You are not to speak to her, remember,” motioned the sobbing man toward the grating. Luigi and I followed.

She came slowly out of the shadows, first the drawn face peering ahead, as if wondering why she had been sent for, then the white crumpled dress, and then the dark eyes searching the gloom of the corridor. Vittorio had caught sight of her and was clinging to the grating, his body shaking, his tears blinding him.

The girl gave a half-smothered cry, darted forward and covered Vittorio’s hands with her own. Some whispered word must have followed, for the old light broke over her face and she would have cried out for joy had not Luigi cautioned her. For a moment the two stood with fingers intertwined, their bowed foreheads kept apart by the cold grating. Then the boy, straining his face between the bars, as if to reach her lips, loosened one hand, took something from his pocket and slipped it over her finger.

It was her wedding ring.

IV

Summer has faded, the gold of autumn has turned to brown, and the raw, cold winds of winter have whirled the dead leaves over rookeries, quay, and garden. The boats rock at their tethers and now and then a sea gull darts through the canal and sweeps on to the lagoon. In the narrow opening fronting the broad waters lawless waves quarrel and clash, forcing their way among the frightened ripples of San Giuseppe, ashy gray under the lowering sky.

All these months a girl has clung to an iron grating or has lain on a pallet in one corner of her cell. Once in a while she presses her lips to a ring on her left hand, her face lighting up. Sometimes she breaks out into a song, continuing until the keeper checks her.

Then spring comes.

And with it the painter from over the sea.

All the way from Milan as far as Verona, and beyond, there have been nothing but blossoms,–masses of blossoms,–oleander, peach, and almond.

When the train reaches Mestre and the cool salt air fans his cheek, he can no longer keep his seat, so eager is he to catch the first glimpse of his beloved city,–now a string of pearls on the bosom of the lagoon.

Luigi has the painter’s hand before his feet can touch the platform.

“Good news, Signore!” he laughs, patting my shoulder. “She is free!”

“Loretta!”

“Yes,–she and Vittorio are back in their garden. Borodini told the whole story to the good Queen Mother when she came at Easter, and the king pardoned her.”

“Pardoned her! And Francesco dead!”

“Dead! No such good luck, Signore,–that brute of a crab-fisher got well!”