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PAGE 3

Legends of the Province House
by [?]

It was an old man, formerly of high station and great repute in the province, and who had been a very famous soldier in his day. Some surprise had been expressed that a person of Colonel Joliffe’s known Whig principles, though now too old to take an active part in the contest, should have remained in Boston during the siege, and especially that he should consent to show himself in the mansion of Sir William Howe. But thither he had come, with a fair granddaughter under his arm; and there, amid all the mirth and buffoonery, stood this stern old figure, the best sustained character in the masquerade, because so well representing the antique spirit of his native land. The other guests affirmed that Colonel Joliffe’s black puritanical scowl threw a shadow round about him; although in spite of his sombre influence their gayety continued to blaze higher, like–(an ominous comparison)–the flickering brilliancy of a lamp which has but a little while to burn. Eleven strokes, full half an hour ago, had pealed from the clock of the Old South, when a rumor was circulated among the company that some new spectacle or pageant was about to be exhibited, which should put a fitting close to the splendid festivities of the night.

“What new jest has your Excellency in hand?” asked the Rev. Mather Byles, whose Presbyterian scruples had not kept him from the entertainment. “Trust me, sir, I have already laughed more than beseems my cloth at your Homeric confabulation with yonder ragamuffin General of the rebels. One other such fit of merriment, and I must throw off my clerical wig and band.”

“Not so, good Doctor Byles,” answered Sir William Howe; “if mirth were a crime, you had never gained your doctorate in divinity. As to this new foolery, I know no more about it than yourself; perhaps not so much. Honestly now, Doctor, have you not stirred up the sober brains of some of your countrymen to enact a scene in our masquerade?”

“Perhaps,” slyly remarked the granddaughter of Colonel Joliffe, whose high spirit had been stung by many taunts against New England,–“perhaps we are to have a mask of allegorical figures. Victory, with trophies from Lexington and Bunker Hill–Plenty, with her overflowing horn, to typify the present abundance in this good town–and Glory, with a wreath for his Excellency’s brow.”

Sir William Howe smiled at words which he would have answered with one of his darkest frowns had they been uttered by lips that wore a beard. He was spared the necessity of a retort, by a singular interruption. A sound of music was heard without the house, as if proceeding from a full band of military instruments stationed in the street, playing not such a festal strain as was suited to the occasion, but a slow funeral march. The drums appeared to be muffled, and the trumpets poured forth a wailing breath, which at once hushed the merriment of the auditors, filling all with wonder, and some with apprehension. The idea occurred to many that either the funeral procession of some great personage had halted in front of the Province House, or that a corpse, in a velvet-covered and gorgeously-decorated coffin, was about to be borne from the portal. After listening a moment, Sir William Howe called, in a stern voice, to the leader of the musicians, who had hitherto enlivened the entertainment with gay and lightsome melodies. The man was drum-major to one of the British regiments.

“Dighton,” demanded the general, “what means this foolery? Bid your band silence that dead march–or, by my word, they shall have sufficient cause for their lugubrious strains! Silence it, sirrah!”

“Please your honor,” answered the drum-major, whose rubicund visage had lost all its color, “the fault is none of mine. I and my band are all here together, and I question whether there be a man of us that could play that march without book. I never heard it but once before, and that was at the funeral of his late Majesty, King George the Second.”