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PAGE 4

Leave It To Jeeves
by [?]

I boiled down Corky’s painful case into a few well-chosen words.

“So you see what it amount to, Jeeves. We want you to suggest some way by which Mr. Worple can make Miss Singer’s acquaintance without getting on to the fact that Mr. Corcoran already knows her. Understand?”

“Perfectly, sir.”

“Well, try to think of something.”

“I have thought of something already, sir.”

“You have!”

“The scheme I would suggest cannot fail of success, but it has what may seem to you a drawback, sir, in that it requires a certain financial outlay.”

“He means,” I translated to Corky, “that he has got a pippin of an idea, but it’s going to cost a bit.”

Naturally the poor chap’s face dropped, for this seemed to dish the whole thing. But I was still under the influence of the girl’s melting gaze, and I saw that this was where I started in as a knight-errant.

“You can count on me for all that sort of thing, Corky,” I said. “Only too glad. Carry on, Jeeves.”

“I would suggest, sir, that Mr. Corcoran take advantage of Mr. Worple’s attachment to ornithology.”

“How on earth did you know that he was fond of birds?”

“It is the way these New York apartments are constructed, sir. Quite unlike our London houses. The partitions between the rooms are of the flimsiest nature. With no wish to overhear, I have sometimes heard Mr. Corcoran expressing himself with a generous strength on the subject I have mentioned.”

“Oh! Well?”

“Why should not the young lady write a small volume, to be entitled–let us say–The Children’s Book of American Birds, and dedicate it to Mr. Worple! A limited edition could be published at your expense, sir, and a great deal of the book would, of course, be given over to eulogistic remarks concerning Mr. Worple’s own larger treatise on the same subject. I should recommend the dispatching of a presentation copy to Mr. Worple, immediately on publication, accompanied by a letter in which the young lady asks to be allowed to make the acquaintance of one to whom she owes so much. This would, I fancy, produce the desired result, but as I say, the expense involved would be considerable.”

I felt like the proprietor of a performing dog on the vaudeville stage when the tyke has just pulled off his trick without a hitch. I had betted on Jeeves all along, and I had known that he wouldn’t let me down. It beats me sometimes why a man with his genius is satisfied to hang around pressing my clothes and whatnot. If I had half Jeeves’s brain, I should have a stab, at being Prime Minister or something.

“Jeeves,” I said, “that is absolutely ripping! One of your very best efforts.”

“Thank you, sir.”

The girl made an objection.

“But I’m sure I couldn’t write a book about anything. I can’t even write good letters.”

“Muriel’s talents,” said Corky, with a little cough “lie more in the direction of the drama, Bertie. I didn’t mention it before, but one of our reasons for being a trifle nervous as to how Uncle Alexander will receive the news is that Muriel is in the chorus of that show Choose your Exit at the Manhattan. It’s absurdly unreasonable, but we both feel that that fact might increase Uncle Alexander’s natural tendency to kick like a steer.”

I saw what he meant. Goodness knows there was fuss enough in our family when I tried to marry into musical comedy a few years ago. And the recollection of my Aunt Agatha’s attitude in the matter of Gussie and the vaudeville girl was still fresh in my mind. I don’t know why it is–one of these psychology sharps could explain it, I suppose–but uncles and aunts, as a class, are always dead against the drama, legitimate or otherwise. They don’t seem able to stick it at any price.

But Jeeves had a solution, of course.

“I fancy it would be a simple matter, sir, to find some impecunious author who would be glad to do the actual composition of the volume for a small fee. It is only necessary that the young lady’s name should appear on the title page.”