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Ken’s Mystery
by
“I was a trifle startled by this apparition, so unexpected as it was, and so strange did it seem that any human creature should be at that hour of the night in so desolate and sinister a place. Involuntarily I paused as I came opposite her, and gazed at her intently. But the moonlight fell behind her, and the deep hood of her cloak so completely shadowed her face that I was unable to discern anything but the sparkle of a pair of eyes, which appeared to be returning my gaze with much vivacity.
“‘You seem to be at home here,’ I said, at length. ‘Can you tell me where I am?’
“Hereupon the mysterious personage broke into a light laugh, which, though in itself musical and agreeable, was of a timbre and intonation that caused my heart to beat rather faster than my late pedestrian exertions warranted; for it was the identical laugh (or so my imagination persuaded me) that had echoed in my ears as I arose from my tumble an hour or two ago. For the rest, it was the laugh of a young woman, and presumably of a pretty one; and yet it had a wild, airy, mocking quality, that seemed hardly human at all, or not, at any rate, characteristic of a being of affections and limitations like unto ours. But this impression of mine was fostered, no doubt, by the unusual and uncanny circumstances of the occasion.
“‘Sure, sir,’ said she, ‘you’re at the grave of Ethelind Fionguala.’
“As she spoke she rose to her feet, and pointed to the inscription on the stone. I bent forward, and was able, without much difficulty, to decipher the name, and a date which indicated that the occupant of the grave must have entered the disembodied state between two and three centuries ago.
“‘And who are you?’ was my next question.
“‘I’m called Elsie,’ she replied. ‘But where would your honor be going November-eve?’
“I mentioned my destination, and asked her whether she could direct me thither.
“‘Indeed, then, ’tis there I’m going myself,’ Elsie replied; ‘and if your honor’ll follow me, and play me a tune on the pretty instrument, ’tisn’t long we’ll be on the road.’
“She pointed to the banjo which I carried wrapped up under my arm. How she knew that it was a musical instrument I could not imagine; possibly, I thought, she may have seen me playing on it as I strolled about the environs of the town. Be that as it may, I offered no opposition to the bargain, and further intimated that I would reward her more substantially on our arrival. At that she laughed again, and made a peculiar gesture with her hand above her head. I uncovered my banjo, swept my fingers across the strings, and struck into a fantastic dance-measure, to the music of which we proceeded along the path, Elsie slightly in advance, her feet keeping time to the airy measure. In fact, she trod so lightly, with an elastic, undulating movement, that with a little more it seemed as if she might float onward like a spirit. The extreme whiteness of her feet attracted my eye, and I was surprised to find that instead of being bare, as I had supposed, these were incased in white satin slippers quaintly embroidered with gold thread.
“‘Elsie,’ said I, lengthening my steps so as to come up with her, ‘where do you live, and what do you do for a living?’
“‘Sure, I live by myself,’ she answered; ‘and if you’d be after knowing how, you must come and see for yourself.’
“‘Are you in the habit of walking over the hills at night in shoes like that?’
“‘And why would I not?’ she asked, in her turn. ‘And where did your honor get the pretty gold ring on your finger?’
“The ring, which was of no great intrinsic value, had struck my eye in an old curiosity-shop in Cork. It was an antique of very old-fashioned design, and might have belonged (as the vender assured me was the case) to one of the early kings or queens of Ireland.