FullReads

“After passing one or two roofless and moss-grown cottages, I entered the narrow and rambling street which leads through the town. This street a short distance down widens a little, as if to afford the wayfarer space to observe a remarkable old house that stands on the northern side. The house was built of stone, and in a noble style of architecture; it reminded me somewhat of certain palaces of the old Italian nobility that I had seen on the Continent, and it may very probably have been built by one of the Italian or Spanish immigrants of the sixteenth or seventeenth century. The molding of the projecting windows and arched doorway was richly carved, and upon the front of the building was an escutcheon wrought in high relief, though I could not make out the purport of the device. The moonlight falling upon this picturesque pile enhanced all its beauties, and at the same time made it seem like a vision that might dissolve away when the light ceased to shine. I must often have seen the house before, and yet I retained no definite recollection of it; I had never until now examined it with my eyes open, so to speak. Leaning against the wall on the opposite side of the street, I contemplated it for a long while at my leisure. The window at the corner was really a very fine and massive affair. It projected over the pavement below, throwing a heavy shadow aslant; the frames of the diamond-paned lattices were heavily mullioned. How often in past ages had that lattice been pushed open by some fair hand, revealing to a lover waiting beneath in the moonlight the charming countenance of his high-born mistress! Those were brave days. They had passed away long since. The great house had stood empty for who could tell how many years; only bats and vermin were its inhabitants. Where now were those who had built it? and who were they? Probably the very name of them was forgotten.

“As I continued to stare upward, however, a conjecture presented itself to my mind which rapidly ripened into a conviction. Was not this the house that Dr. Dudeen had described that very evening as having been formerly the abode of the Kern of Querin and his mysterious bride? There was the projecting window, the arched doorway. Yes, beyond a doubt this was the very house. I emitted a low exclamation of renewed interest and pleasure, and my speculations took a still more imaginative, but also a more definite turn.

“What had been the fate of that lovely lady after the Kern had brought her home insensible in his arms? Did she recover, and were they married and made happy ever after; or had the sequel been a tragic one? I remembered to have read that the victims of vampires generally became vampires themselves. Then my thoughts went back to that grave on the hill-side. Surely that was unconsecrated ground. Why had they buried her there? Ethelind of the white shoulder! Ah! why had not I lived in those days; or why might not some magic cause them to live again for me? Then would I seek this street at midnight, and standing here beneath her window, I would lightly touch the strings of my bandore until the casement opened cautiously and she looked down. A sweet vision indeed! And what prevented my realizing it? Only a matter of a couple of centuries or so. And was time, then, at which poets and philosophers sneer, so rigid and real a matter that a little faith and imagination might not overcome it? At all events, I had my banjo, the bandore’s legitimate and lineal descendant, and the memory of Fionguala should have the love-ditty.

“Hereupon, having retuned the instrument, I launched forth into an old Spanish love-song, which I had met with in some moldy library during my travels, and had set to music of my own. I sang low, for the deserted street re-echoed the lightest sound, and what I sang must reach only my lady’s ears. The words were warm with the fire of the ancient Spanish chivalry, and I threw into their expression all the passion of the lovers of romance. Surely Fionguala, the white-shouldered, would hear, and awaken from her sleep of centuries, and come to the latticed casement and look down! Hist! see yonder! What light–what shadow is that that seems to flit from room to room within the abandoned house, and now approaches the mullioned window? Are my eyes dazzled by the play of the moonlight, or does the casement move–does it open? Nay, this is no delusion; there is no error of the senses here. There is simply a woman, young, beautiful, and richly attired, bending forward from the window, and silently beckoning me to approach.