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Jubilee Days
by
The dimensions of this sketch bear so little proportion to those of the Jubilee, that I must perforce leave most of its features unnoticed; but I wish to express the sense of enjoyment which prevailed (whenever the anvils were not beaten) over every other feeling, even over wonder. To the ear as to the eye it was a delight, and it was an assured success in the popular affections from the performance of the first piece. For my own part, if one pleasurable sensation, besides that received from Parepa’s singing, distinguished itself from the rest, it was that given by the performance of the exquisite Coronation March from Meyerbeer’s “Prophet;” but I say this under protest of the pleasure taken in the choral rendering of the “Star-Spangled Banner.” Closely allying themselves to these great raptures were the minor joys of wandering freely about from point to point, of receiving fresh sensations from the varying lights and aspects in which the novel scene presented itself with its strange fascinations, and of noting, half consciously, the incessant movement of the crowd as it revealed itself in changing effects of color. Then the gay tumult of the fifteen minutes of intermission between the parts, when all rose with a susurrus of innumerable silks, and the thousands of pretty singers fluttered about, and gossiped tremulously and delightedly over the glory of the performance, revealing themselves as charming feminine personalities, each with her share in the difficulty and the achievement, each with her pique or pride, and each her something to tell her friend of the conduct, agreeable or displeasing, of some particular him! Even the quick dispersion of the mass at the close was a marvel of orderliness and grace, as the melting and separating parts, falling asunder, radiated from the centre, and flowed and rippled rapidly away, and left the great hall empty and bare at last.
And as you emerged from the building, what bizarre and perverse feeling was that you knew? Something as if all-out-doors were cramped and small, and it were better to return to the freedom and amplitude of the interior?
On the second day, much that was wonderful in a first experience of the festival was gone; but though the novelty had passed away, the cause for wonder was even greater. If on the first day the crowd was immense, it was now something which the imperfect state of the language will not permit me to describe; perhaps awful will serve the purpose as well as any other word now in use. As you looked round, from the centre of the building, on that restless, fanning, fluttering multitude, to right and left and north and south, all comparisons and similitudes abandoned you. If you were to write of the scene, you felt that your effort, at the best, must be a meagre sketch, suggesting something to those who had seen the fact, but conveying no intelligible impression of it to any one else. The galleries swarmed, the vast slopes were packed, in the pampa-like parquet even the aisles were half filled with chairs, while a cloud of placeless wanderers moved ceaselessly on the borders of the mass under the balconies.
When that common-looking, uncommon little man whom we have called to rule over us entered the house, and walked quietly down to his seat in the centre of it, a wild, inarticulate clamor, like no other noise in the world, swelled from every side, till General Grant rose and showed himself, when it grew louder than ever, and then gradully subsided into silence. Then a voice, which might be uttering some mortal alarm, broke repeatedly across the stillness from one of the balconies, and a thousand glasses were leveled in that direction, while everywhere else the mass hushed itself with a mute sense of peril. The capacity of such an assemblage for self-destruction was, in fact, but too evident. From fire, in an edifice of which the sides could be knocked out in a moment, there could have been little danger; the fabric’s strength had been perfectly tested the day before, and its fall was not to be apprehended; but we had ourselves greatly to dread. A panic could have been caused by any mad or wanton person, in which thousands might have been instantly trampled to death; and it seemed long till that foolish voice was stilled, and the house lapsed back into tranquillity, and the enjoyment of the music. In the performance I recall nothing disagreeable, nothing that to my ignorance seemed imperfect, though I leave it to the wise in music to say how far the great concert was a success. I saw a flourish of the director’s wand, and I heard the voices or the instruments, or both, respond, and I knew by my programme that I was enjoying an unprecedented quantity of Haydn or Handel or Meyerbeer or Rossini or Mozart, afforded with an unquestionable precision and promptness; but I own that I liked better to stroll about the three-acre house, and that for me the music was, at best, only one of the joys of the festival.