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This phase of the war lasted two months precisely,

and to John McCrae it must have seemed a lifetime since he went into this memorable action. The events preceding the second battle of Ypres received scant mention in his letters; but one remains, which brings into relief one of the many moves of that tumultuous time.

April 1st, 1915.

We moved out in the late afternoon, getting on the road a little after dark. Such a move is not unattended by danger, for to bring horses and limbers down the roads in the shell zone in daylight renders them liable to observation, aerial or otherwise. More than that, the roads are now beginning to be dusty, and at all times there is the noise which carries far. The roads are nearly all registered in their battery books, so if they suspect a move, it is the natural thing to loose off a few rounds. However, our anxiety was not borne out, and we got out of the danger zone by 8.30–a not too long march in the dark, and then for the last of the march a glorious full moon. The houses everywhere are as dark as possible, and on the roads noises but no lights. One goes on by the long rows of trees that are so numerous in this country, on cobblestones and country roads, watching one’s horses’ ears wagging, and seeing not much else. Our maps are well studied before we start, and this time we are not far out of familiar territory. We got to our new billet about 10–quite a good farmhouse; and almost at once one feels the relief of the strain of being in the shell zone. I cannot say I had noticed it when there; but one is distinctly relieved when out of it.

Such, then, was the life in Flanders fields in which the verse was born. This is no mere surmise. There is a letter from Major-General E. W. B. Morrison, C.B., C.M.G., D.S.O., who commanded the Brigade at the time, which is quite explicit. “This poem,” General Morrison writes, “was literally born of fire and blood during the hottest phase of the second battle of Ypres. My headquarters were in a trench on the top of the bank of the Ypres Canal, and John had his dressing station in a hole dug in the foot of the bank. During periods in the battle men who were shot actually rolled down the bank into his dressing station. Along from us a few hundred yards was the headquarters of a regiment, and many times during the sixteen days of battle, he and I watched them burying their dead whenever there was a lull. Thus the crosses, row on row, grew into a good-sized cemetery. Just as he describes, we often heard in the mornings the larks singing high in the air, between the crash of the shell and the reports of the guns in the battery just beside us. I have a letter from him in which he mentions having written the poem to pass away the time between the arrival of batches of wounded, and partly as an experiment with several varieties of poetic metre. I have a sketch of the scene, taken at the time, including his dressing station; and during our operations at Passchendaele last November, I found time to make a sketch of the scene of the crosses, row on row, from which he derived his inspiration.”

The last letter from the Front is dated June 1st, 1915. Upon that day he was posted to No. 3 General Hospital at Boulogne, and placed in charge of medicine with the rank of Lieutenant-Colonel as of date 17th April, 1915. Here he remained until the day of his death on January 28th, 1918.

III. The Brand of War

There are men who pass through such scenes unmoved. If they have eyes, they do not see; and ears, they do not hear. But John McCrae was profoundly moved, and bore in his body until the end the signs of his experience. Before taking up his new duties he made a visit to the hospitals in Paris to see if there was any new thing that might be learned. A Nursing Sister in the American Ambulance at Neuilly-sur-Seine met him in the wards. Although she had known him for fifteen years she did not recognize him,–he appeared to her so old, so worn, his face lined and ashen grey in colour, his expression dull, his action slow and heavy.