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She was working at some old-fashioned piece of ornamental needlework, and as she moved her arms her dress gave forth a dry, melancholy rustling, like the sound of leaves in the autumn. There was something mournful and depressing in the sight of her. I moved my chair a little nearer, and asked her how she liked Edinburgh, and whether she had been there long.

When I spoke to her she started and looked up at me with a scared look on her face. Then I saw in a moment what the expression was which I had observed there. It was one of fear–intense and overpowering fear. It was so marked that I could have staked my life on the woman before me having at some period of her life been subjected to some terrible experience or dreadful misfortune.

“Oh, yes, I like it,” she said, in a soft, timid voice; “and we have been here long–that is, not very long. We move about a great deal.” She spoke with hesitation, as if afraid of committing herself.

“You are a native of Scotland, I presume?” I said.

“No–that is, not entirely. We are not natives of any place. We are cosmopolitan, you know.” She glanced round in the direction of Miss Northcott as she spoke, but the two were still chatting together near the window. Then she suddenly bent forward to me, with a look of intense earnestness upon her face, and said–

“Don’t talk to me any more, please. She does not like it, and I shall suffer for it afterwards. Please, don’t do it.”

I was about to ask her the reason for this strange request, but when she saw I was going to address her, she rose and walked slowly out of the room. As she did so I perceived that the lovers had ceased to talk and that Miss Northcott was looking at me with her keen, grey eyes.

“You must excuse my aunt, Mr. Armitage,” she said; “she is odd, and easily fatigued. Come over and look at my album.”

We spent some time examining the portraits. Miss Northcott’s father and mother were apparently ordinary mortals enough, and I could not detect in either of them any traces of the character which showed itself in their daughter’s face. There was one old daguerreotype, however, which arrested my attention. It represented a man of about the age of forty, and strikingly handsome. He was clean shaven, and extraordinary power was expressed upon his prominent lower jaw and firm, straight mouth. His eyes were somewhat deeply set in his head, however, and there was a snake-like flattening at the upper part of his forehead, which detracted from his appearance. I almost involuntarily, when I saw the head, pointed to it, and exclaimed–

“There is your prototype in your family, Miss Northcott.”

“Do you think so?” she said. “I am afraid you are paying me a very bad compliment. Uncle Anthony was always considered the black sheep of the family.”

“Indeed,” I answered; “my remark was an unfortunate one, then.”

“Oh, don’t mind that,” she said; “I always thought myself that he was worth all of them put together. He was an officer in the Forty-first Regiment, and he was killed in action during the Persian War–so he died nobly, at any rate.”

“That’s the sort of death I should like to die,” said Cowles, his dark eyes flashing, as they would when he was excited; “I often wish I had taken to my father’s profession instead of this vile pill-compounding drudgery.”

“Come, Jack, you are not going to die any sort of death yet,” she said, tenderly taking his hand in hers.

I could not understand the woman. There was such an extraordinary mixture of masculine decision and womanly tenderness about her, with the consciousness of something all her own in the background, that she fairly puzzled me. I hardly knew, therefore, how to answer Cowles when, as we walked down the street together, he asked the comprehensive question–