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Ixion In Heaven
by
‘You were quite right. I hate bandboxes: they are always in the way. You would have liked Cy-thera if you had been in the least in love. High rocks and green knolls, bowery woods, winding walks, and delicious sunsets. I have not been there much of late,’ continued the Goddess, looking somewhat sad and serious, ‘since–but I will not talk sentiment to Ixion.’
‘Do you think, then, I am insensible?’
‘Yes.’
‘Perhaps you are right. We mortals grow callous.’
‘So I have heard. How very odd!’ So saying, the Goddess glided away and saluted Mars, who at that moment entered the hall. Ixion was presented to the military hero, who looked fierce and bowed stiffly. The King of Thessaly turned upon his heel. Minerva opened her album, and invited him to inscribe a stanza.
‘Goddess of Wisdom,’ replied the King, ‘unless you inspire me, the virgin page must remain pure as thyself. I can scarcely sign a decree.’
‘Is it Ixion of Thessaly who says this; one who has seen so much, and, if I am not mistaken, has felt and thought so much? I can easily conceive why such a mind may desire to veil its movements from the common herd, but pray concede to Minerva the gratifying compliment of assuring her that she is the exception for whom this rule has been established.’
‘I seem to listen to the inspired music of an oracle. Give me a pen!
‘Here is one, plucked from a sacred owl.’ ‘So! I write. There! Will it do?’ Minerva read the inscription:–
I HAVE SEEN THE WORLD, AND MORE THAN THE WORLD:
I HAVE STUDIED THE HEART OF MAN,
AND NOW I CONSORT WITH IMMORTALS.
THE FRUIT OF MY TREE OF KNOWLEDGE IS PLUCKED,
AND IT IS THIS,
‘Adventures are to the Adventurous.’
Written in the Album of Minerva, by
Ixion in Heaven.
”Tis brief,’ said the Goddess, with a musing air, ‘but full of meaning. You have a daring soul and pregnant mind.’
‘I have dared much: what I may produce we have yet to see.’
‘I must to Jove,’ said Minerva, ‘to council. We shall meet again. Farewell, Ixion.’
‘Farewell, Glaucopis.’
The King of Thessaly stood away from the remaining guests, and leant with folded arms and pensive brow against a wreathed column. Mars listened to Venus with an air of deep devotion. Euterpe played an inspiring accompaniment to their conversation. The Queen of Heaven seemed engrossed in the creation of her paper peacocks.
Ixion advanced and seated himself on a couch near Juno. His manner was divested of that reckless bearing and careless coolness by which it was in general distinguished. He was, perhaps, even a little embarrassed. His ready tongue deserted him. At length he spoke.
‘Has your Majesty ever heard of the peacock of the Queen of Mesopotamia?’
‘No,’ replied Juno, with stately reserve; and then she added with an air of indifferent curiosity, ‘Is it in any way remarkable?’
‘Its breast is of silver, its wings of gold, its eyes of carbuncle, its claws of amethyst.’
‘And its tail?’ eagerly inquired Juno.
‘That is a secret,’ replied Ixion. ‘The tail is the most wonderful part of all.’
‘Oh! tell me, pray tell me!’
‘I forget.’
‘No, no, no; it is impossible!’ exclaimed the animated Juno. ‘Provoking mortal!’ continued the Goddess. ‘Let me entreat you; tell me immediately.’
‘There is a reason which prevents me.’
‘What can it be? How very odd! What reason can it possibly be? Now tell me; as a particular, a personal favour, I request you, do tell me.’
‘What! The tail or the reason? The tail is wonderful, but the reason is much more so. I can only tell one. Now choose.’
‘What provoking things these human beings are! The tail is wonderful, but the reason is much more so. Well then, the reason; no, the tail. Stop, now, as a particular favour, pray tell me both. What can the tail be made of and what can the reason be? I am literally dying of curiosity.’