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“Don’t let that dog touch your frock,” he said; “he’s got wet feet. Come here, you!”

But the dog Balthasar went on towards the visitor, who put her hand down and stroked his head. Old Jolyon said quickly:

“I saw you at the opera the other night; you didn’t notice me.”

“Oh, yes! I did.”

He felt a subtle flattery in that, as though she had added: ‘Do you think one could miss seeing you?’

“They’re all in Spain,” he remarked abruptly. “I’m alone; I drove up for the opera. The Ravogli’s good. Have you seen the cow-houses?”

In a situation so charged with mystery and something very like emotion he moved instinctively towards that bit of property, and she moved beside him. Her figure swayed faintly, like the best kind of French figures; her dress, too, was a sort of French grey. He noticed two or three silver threads in her amber-coloured hair, strange hair with those dark eyes of hers, and that creamy-pale face. A sudden sidelong look from the velvety brown eyes disturbed him. It seemed to come from deep and far, from another world almost, or at all events from some one not living very much in this. And he said mechanically:

“Where are you living now?”

“I have a little flat in Chelsea.”

He did not want to hear what she was doing, did not want to hear anything; but the perverse word came out:

“Alone?”

She nodded. It was a relief to know that. And it came into his mind that, but for a twist of fate, she would have been mistress of this coppice, showing these cow-houses to him, a visitor.

“All Alderneys,” he muttered; “they give the best milk. This one’s a pretty creature. Woa, Myrtle!”

The fawn-coloured cow, with eyes as soft and brown as Irene’s own, was standing absolutely still, not having long been milked. She looked round at them out of the corner of those lustrous, mild, cynical eyes, and from her grey lips a little dribble of saliva threaded its way towards the straw. The scent of hay and vanilla and ammonia rose in the dim light of the cool cow-house; and old Jolyon said:

“You must come up and have some dinner with me. I’ll send you home in the carriage.”

He perceived a struggle going on within her; natural, no doubt, with her memories. But he wanted her company; a pretty face, a charming figure, beauty! He had been alone all the afternoon. Perhaps his eyes were wistful, for she answered: “Thank you, Uncle Jolyon. I should like to.”

He rubbed his hands, and said:

“Capital! Let’s go up, then!” And, preceded by the dog Balthasar, they ascended through the field. The sun was almost level in their faces now, and he could see, not only those silver threads, but little lines, just deep enough to stamp her beauty with a coin-like fineness–the special look of life unshared with others. “I’ll take her in by the terrace,” he thought: “I won’t make a common visitor of her.”

“What do you do all day?” he said.

“Teach music; I have another interest, too.”

“Work!” said old Jolyon, picking up the doll from off the swing, and smoothing its black petticoat. “Nothing like it, is there? I don’t do any now. I’m getting on. What interest is that?”

“Trying to help women who’ve come to grief.” Old Jolyon did not quite understand. “To grief?” he repeated; then realised with a shock that she meant exactly what he would have meant himself if he had used that expression. Assisting the Magdalenes of London! What a weird and terrifying interest! And, curiosity overcoming his natural shrinking, he asked:

“Why? What do you do for them?”

“Not much. I’ve no money to spare. I can only give sympathy and food sometimes.”

Involuntarily old Jolyon’s hand sought his purse. He said hastily: “How d’you get hold of them?”

“I go to a hospital.”

“A hospital! Phew!”

“What hurts me most is that once they nearly all had some sort of beauty.”