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In the Closed Room
by
The owners of the house had evidently deserted it suddenly. The windows had not been boarded up and the rooms had been left in their ordinary condition. The furniture was not covered or the hangings swathed. Jem Foster had been told that his wife must put things in order.
The house was beautiful and spacious, its decorations and appointments were not mere testimonies to freedom of expenditure, but expressions of a dignified and cultivated thought. Judith followed her mother from room to room in one of her singular moods. The loftiness of the walls, the breadth and space about her made her, at intervals, draw in her breath with pleasure. The pictures, the colours, the rich and beautiful textures she saw brought to her the free–and at the same time soothed–feeling she remembered as the chief feature of the dreams in which she “fell awake.” But beyond all other things she rejoiced in the height and space, the sweep of view through one large room into another. She continually paused and stood with her face lifted looking up at the pictured things floating on a ceiling above her. Once, when she had stood doing this long enough to forget herself, she was startled by her mother’s laugh, which broke in upon the silence about them with a curiously earthly sound which was almost a shock.
“Wake up, Judy; have you gone off in a dream? You look all the time as if you was walking in your sleep.”
“It’s so high,” said Judy. “Those clouds make it look like the sky.”
“I’ve got to set these chairs straight,” said Jane. “Looks like they’d been havin’ a concert here. All these chairs together an’ that part of the room clear.”
She began to move the chairs and rearrange them, bustling about cheerfully and talking the while. Presently she stooped to pick something up.
“What’s this,” she said, and then uttered a startled exclamation. “Mercy! they felt so kind of clammy they made me jump. They HAVE had a party. Here’s some of the flowers left fallen on the carpet.”
She held up a cluster of wax-white hyacinths and large heavy rosebuds, faded to discoloration.
“This has dropped out of some set piece. It felt like cold flesh when I first touched it. I don’t like a lot of white things together. They look too kind of mournful. Just go and get the wastepaper basket in the library, Judy. We’ll carry it around to drop things into. Take that with you.”
Judith carried the flowers into the library and bent to pick up the basket as she dropped them into it.
As she raised her head she found her eyes looking directly into other eyes which gazed at her from the wall. They were smiling from the face of a child in a picture. As soon as she saw them Judith drew in her breath and stood still, smiling, too, in response. The picture was that of a little girl in a floating white frock. She had a deep dimple at one corner of her mouth, her hanging hair was like burnished copper, she held up a slender hand with pointed fingers and Judith knew her. Oh! she knew her quite well. She had never felt so near any one else throughout her life.
“Judy, Judy!” Jane Foster called out. “Come here with your basket; what you staying for?”
Judith returned to her.
“We’ve got to get a move on,” said Jane, “or we shan’t get nothin’ done before supper time. What was you lookin’ at?”
“There’s a picture in there of a little girl I know,” Judith said. “I don’t know her name, but I saw her in the Park once and–and I dreamed about her.”
“Dreamed about her? If that ain’t queer. Well, we’ve got to hurry up. Here’s some more of them dropped flowers. Give me the basket.”
They went through the whole house together, from room to room, up the many stairs, from floor to floor, and everywhere Judith felt the curious stillness and silence. It can not be doubted that Jane Foster felt it also.