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In remembrance of John Ingerfield, and of Anne, his wife
by
If all John Ingerfield requires for a wife is a beautiful social machine, surely here he has found his ideal. Anne Singleton, only daughter of that persistently unfortunate but most charming of baronets, Sir Harry Singleton (more charming, it is rumoured, outside his family circle than within it), is a stately graceful, high-bred woman. Her portrait, by Reynolds, still to be seen above the carved wainscoting of one of the old City halls, shows a wonderfully handsome and clever face, but at the same time a wonderfully cold and heartless one. It is the face of a woman half weary of, half sneering at the world. One reads in old family letters, whereof the ink is now very faded and the paper very yellow, long criticisms of this portrait. The writers complain that if the picture is at all like her she must have greatly changed since her girlhood, for they remember her then as having a laughing and winsome expression.
They say–they who knew her in after-life–that this earlier face came back to her in the end, so that the many who remembered opening their eyes and seeing her bending down over them could never recognise the portrait of the beautiful sneering lady, even when they were told whom it represented.
But at the time of John Ingerfield’s strange wooing she was the Anne Singleton of Sir Joshua’s portrait, and John Ingerfield liked her the better that she was.
He had no feeling of sentiment in the matter himself, and it simplified the case that she had none either. He offered her a plain bargain, and she accepted it. For all he knew or cared, her attitude towards this subject of marriage was the usual one assumed by women. Very young girls had their heads full of romantic ideas. It was better for her and for him that she had got rid of them.
“Ours will be a union founded on good sense,” said John Ingerfield.
“Let us hope the experiment will succeed,” said Anne Singleton.
CHAPTER II.
But the experiment does not succeed. The laws of God decree that man shall purchase woman, that woman shall give herself to man, for other coin than that of good sense. Good sense is not a legal tender in the marriage mart. Men and women who enter therein with only sense in their purse have no right to complain if, on reaching home, they find they have concluded an unsatisfactory bargain.
John Ingerfield, when he asked Anne Singleton to be his wife, felt no more love for her than he felt for any of the other sumptuous household appointments he was purchasing about the same time, and made no pretence of doing so. Nor, had he done so, would she have believed him; for Anne Singleton has learned much in her twenty-two summers and winters, and knows that love is only a meteor in life’s sky, and that the true lodestar of this world is gold. Anne Singleton has had her romance and buried it deep down in her deep nature and over its grave, to keep its ghost from rising, has piled the stones of indifference and contempt, as many a woman has done before and since. Once upon a time Anne Singleton sat dreaming out a story. It was a story old as the hills–older than some of them–but to her, then, it was quite new and very wonderful. It contained all the usual stock material common to such stories: the lad and the lass, the plighted troth, the richer suitors, the angry parents, the love that was worth braving all the world for. One day into this dream there fell from the land of the waking a letter, a poor, pitiful letter: “You know I love you and only you,” it ran; “my heart will always be yours till I die. But my father threatens to stop my allowance, and, as you know, I have nothing of my own except debts. Some would call her handsome, but how can I think of her beside you? Oh, why was money ever let to come into the world to curse us?” with many other puzzling questions of a like character, and much severe condemnation of Fate and Heaven and other parties generally, and much self-commiseration.