PAGE 22
In A London Garden
by
And then the blessed sentence of reprieve came over the telephone. Never before had I known what a lovely word chicken-pox is. Postponed is another beautiful word; the long “o” sounds are like the coo of a dove. My more important nerves that had been revolving rapidly like large hot corkscrews began to shrink, to slow, and to cool.
Later, when it was dark, I went out into the garden. Lighted windows patterned themselves on the lawn, and half-way across it a warm wave of perfume met me from the white stars of the tobacco plants. The scents of flowers please me. Lavender and rosemary, lemon verbena and musk, rose and carnation–I have them all. But for scents in bottles or sachets, the chemist’s products, I have only hatred and contempt. The bottled perfume is like mechanical music; the freshness and life have departed from it.
Even in the daytime but little sound of traffic reaches my garden, and at night there are such long stretches of precious silence that one seems to be far from London. As one grows older one values silence more–maybe a gentle providence, that in the end the great silence may not be unwelcome. The years change in so many things our sense of value. Property loses much of its attraction when one begins to think for how short a time one may hold it. This is consolatory if one be poor. I cannot own this scrap of London garden, but what matter? I may use it as if it were my own in return for–well, for so many stories a year. The transaction seems more estimable when the medium of exchange is not mentioned.
I sat and smoked, and drank the silence “like some sharp, strengthening wine”. The great trees before me, motionless in the still air, were a flat dark grey against a sky a little paler. Below, where in the sunlight would be a riot of colour, were masses of velvety black out of which only the white flowers spoke. The tall white hollyhock would be a patient sentinel all night while its dark sister slept invisible. There is peace in the gardens of the country–gardens far richer and more beautiful than mine–but here the peace seemed deeper because of the near contrast. Not far away the useful deadly motor-bus would be busy for hours yet. Theatres would be full, and Fleet Street would be strenuous, and (in houses which the chicken-pox had not yet reached) people would be dining out. Perhaps, without being too artistic and diseased, one who has sometimes liked crowds may sometimes like to escape them. Dusk and sweet scents, silence and solitude–the London garden has pleasant gifts for folks who are temporarily tired of things.
Across the lighted squares or mirrored windows on the lawn, slow yet alert, crept a cat with a heart full of sinful purposes. It flickered over the wall, poised clear against the sky for one moment, on its way to blood and passion in some valerian-scented hell. The nocturnal cat is supposed to be comic, but (in spite of many opportunities) I have never managed to see the joke. There is something terrific in those lower animals–there are several of them–that in certain moments produces the sound of the human voice. Strange too is that electric repugnance that a cat may set up. Unseen and unheard, her presence is yet felt and loathed. She is a creature of the night, mysterious and satanic. Watch her as she starts for the black sabbath–a voluptuous sprawl with claws extended, steps of tense and measured stealth, and then a mad scurry. Presently, you shall hear her cry like a woman, even as the wounded hare sobs out her sisterhood. To-night it was as though for a few moments a taint of monstrousness had passed through the peace of the garden.
Through an open window not far away came the sound of music–somebody was playing the piano. Music heard from another house is supposed to be a torture, and so (like the cat) has its place among the accepted jokes. But, because to-night I was to have the luck–who invented chicken-pox?–it was not distressing and funny. It was fine music played by an artist on a good instrument. It had the quality of the night, wistful and desiderious. Long ago and in a far country there was a king who suffered from a restless melancholy, or a bad temper, or something of that kind, and somebody made music for him. “So Saul was refreshed, and was well, and the evil spirit departed from him.” Surely, that nocturne was meant to be heard as I heard it–in a garden at night. Alas, these concerts, with their awful too-muchness, and professional smirks, and roars of ugly applause! I do not like to have music thus administered. But for the music that visited my garden that night I had the most grateful welcome.