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The queen demands homage, and the rose has received it to the extent of countless volumes written by wise gardeners who have studied her specially. Their learning appals. They almost deter the poor blunderer in London from ever trying to grow a rose or to talk about one. A little knowledge may be a dangerous thing, but the expert runs his risks also. I was taken through a most beautiful rose-garden once, and I dared to admire one particular bed. “Yes,” said the owner of the garden almost apologetically, “it’s quite one of the old sorts.” And then I was taken to other beds in which was the very last word in roses–kinds that had only been produced within the last year or so–and here the owner showed more enthusiasm. Has it come to this then–that fashion is to stray from the milliner’s shop and find a place in the garden?

From motives of humanity I refrain from bringing out once more certain over-worked quotations from Herrick and Omar; but in truth the poets, like the scientific gardeners, have not spared writing materials where roses were in question. They are ecstatic about the colour and fragrance, and generally sentimental about the thorns, and never by any chance allude to the culture. There is something feminine about poets. They like the result, but they ignore the process, just as a woman eats a lamb cutlet, but does not want you to talk about the slaughter-house. Perhaps it is not to be expected that poets should mention the food of the roses, and yet I hate a shirker of facts. I am not sure that there is not something of poetry in the plain truth that in nature’s impartial chemistry there is only one step from muck to glory.

And now, if you are tired of uninformative talk about roses, I will tell you the story of

THE BLESSED ARTIST

There was once an artist who lived in a great town. He was painting a picture, and he took a great deal of trouble to make it as difficult for himself as possible. He tried for effects of lighting that needed miracles. In his work he sought and worshipped difficulties. In the garden beyond the studio he found plenty of difficulty without seeking for it. But this was difficulty of a kind that maddened him. He wanted a garden, but he did not want to make a garden. So he employed a man one day a week, and was profoundly dissatisfied.

One afternoon he had a dream. He dreamed that an angel came into his room–a beautiful angel of the accepted Dore Gallery type. The angel had a pleasant voice and said pleasant things to him.

“You have lived well,” said the angel, “and you have worked well. You have earned for yourself the blessedness that belonged to the Garden of Eden. That blessedness shall fall upon your garden. Go and look at it.”

So the artist went out on to his lawn and was quite surprised. It was of one beautiful tint of fresh green all over, with never a brown spot. There had been many daisies on that lawn, but they had all gone now. It had suffered from moss, but the moss had vanished. It had been superficially irregular, but it was now level. The perfect grass was just three-quarters of an inch in height, and no tall bents stuck up anywhere. He went to look at his roses. He remembered them as they had formerly been–spindly bushes which he had forgotten to prune, and that bore leaves only at the extreme end of their branches. They had changed to compact bushes that were green all over and flowered like an illustration in a seedsman’s catalogue. Caterpillars had played havoc with them aforetime, but now he could find no caterpillar and no trace of the caterpillar’s work. He went on to his two apple trees. They had borne no blossom that year that he could remember, and the white tufts of American blight had bedecked their trunks. The American blight was all gone now. The blossom had set, and the fruit was swelling, and each tree would bear exactly the right number of apples, neither more nor less. The carnations were very large, numerous, and fragrant. The madonna lilies promised well. There was no weed to be seen anywhere, and the paths had been newly gravelled with the red gravel which he had always wanted, and never been able to get. The very quality of the soil had changed, and was now dark and rich. It was worth while to work in such a garden as this; he took his coat off and went into the potting-shed to get his tools.