PAGE 22
Imagination
by
“Why don’t you help Antonio on with the baggage, Charles?” said Julia, as she stood looking at the driver tottering under the weight of the trunks. Charles stared a moment with surprise–the name created no astonishment, but the request did. Julia had a habit of softening names, that were rather harsh in themselves, to which he was accustomed. Peter she called Pierre; Robert was Rubert {sic}; and her aunt’s black footman Timothy, she had designated as Timotheus: but it was not usual for ladies to request gentlemen to perform menial offices–until, recollecting that Julia had expressed unusual solicitude concerning a dressing-box that contained Anna’s letters, he at once supposed it was to that she wished him to attend. Charles left the room, and superintended the whole arrangements, when once enlisted. Julia now felt that every doubt of the identity of her lover with this coachman was removed. He had ingeniously adopted the name of Anthony, as resembling in sound the one she herself had given him in her letters. This he undoubtedly had learnt from Anna– and then Sandford was very much like Stanley–his patch, his dress, his air–every thing about him united to confirm her impressions; and Julia, at the same time she resolved to conduct herself towards him in their journey with a proper feminine reserve, thought she could do no less to a man who submitted to so much to serve her, than to suffer him to perceive that she was not entirely insensible to the obligation.
Our heroine could not but admire the knowing manner with which Antonio took his seat on the carriage, and the dexterity he discovered in the management of his horses–this was infallible evidence of his acquaintance with the animal, and a sure sign that he was the master of many, and had long been accustomed to their service. Perhaps, thought Julia, he has been an officer of cavalry.
In the constant excitement produced by her situation, Julia could not enter into all the feelings described by her friend, during the ride to Schenectady. Its beauties might be melancholy, but could she be melancholy, and Antonio so near? The pines might be silvery and lofty, but the proud stature of majestic man, eclipsed in her eyes all their beauties. Not so Charles. He early began to lavish his abuse on the sterile grounds they passed, and gave any thing but encomiums on the smoothness of the road they were travelling. In the latter particular, even the quiet spirit of Miss Emmerson joined him, and Julia herself was occasionally made sensible that she was not reposing “on a bed of roses.”
{sterile grounds = the sandy “pine barrens” between Albany and Schenectady were notorious for their lack of scenic beauty}
“Do I drive too fast for the ladies?” asked Antonio, on hearing a slight complaint and a faint scream in the soft voice of Julia. Oh, how considerate he is! thought our heroine–how tender!–without his care I certainly should have been killed in this rude place. It was expected that as she had complained, she would answer; and after a moment employed in rallying her senses for the undertaking, she replied in a voice of breathing melody–
“Oh! no, Antonio, you are very considerate.”
For a world Julia could not have said more; and Miss Emmerson thought that she had said quite as much as the occasion required; but Miss Emmerson, it will be remembered, supposed their driver to be Anthony Sandford. The hero, himself, on hearing such a gentle voice so softly replying to his question, could not refrain from turning his face into the carriage, and Julia felt her own eyes lower before his earnest gaze, while her cheeks burned with the blushes that suffused them. But the look spoke volumes–he understands my “Antonio,” thought Julia, and perceives that, to me, he is no longer unknown. That expressive glance has opened between us a communication that will cease but with our lives. Julia now enjoyed, for the remainder of their journey to Mr. Miller’s, one of the greatest pleasures of love–unsuspected by others, she could hold communion with him who had her heart, by the eyes, and a thousand tender and nameless little offices which give interest to affection, and zest to passion.