PAGE 12
Imagination
by
“Dear Julia,
“I should have remembered my promise, and come out and spent a week with you, had not one of Mary’s little boys been quite sick; of course I went to her until he recovered. But if you will ask aunt Margaret to send for me, I will come tomorrow with great pleasure, for I am sure you must find it solitary, now Miss Miller has left you. Tell aunt to send by the servant a list of such books as she wants from Goodrich’s, and I will get them for her, or indeed any thing else that I can do for her or you. Give my love to aunt, and tell her that, knowing her eyes are beginning to fail, I have worked her a cap, which I shall bring with me. Mamma desires her love to you both, and believe me to be affectionately your cousin, KATHERINE EMMERSON.”
This was well enough; but as it was merely a letter of business, one perusal, and that a somewhat hasty one, was sufficient. Julia loved its writer more than she suspected herself, but there was nothing in her manner or character that seemed calculated to excite strong emotion. In short, all her excellences were so evident that nothing was left dependent on innate evidence; and our heroine seldom dwelt with pleasure on any character that did not give a scope to her imagination. In whatever light she viewed the conduct or disposition of her cousin, she was met by obstinate facts that admitted of no cavil nor of any exaggeration.
Turning quickly, therefore, from this barren contemplation to one better suited to her inclinations, Julia’s thoughts resumed the agreeable reverie from which she had been awakened. She also could paint, and after twenty trials she at length sketched an outline of the figure of a man that answered to Anna’s description, and satisfied her own eye. Without being conscious of the theft, she had copied from a print of the Apollo, and clothed it in the uniform which Bonaparte is said to have worn. A small scar was traced on the cheek in such a manner that although it might be fancied as the ravages of a bullet, it admirably answered all the purposes of a dimple. Two epaulettes graced the shoulders of the hero; and before the picture was done, although it was somewhat at variance with republican principles, an aristocratical star glittered on its breast. Had he his birth-right, thought Julia, it would be there in reality; and this idea amply justified the innovation. To this image, which it took several days to complete, certain verses were addressed also, but they were never submitted to the confidence of her friend. The whole subject was now beginning to be too sacred even for such a communication; and as the mind of Julia every hour became more entranced with its new master, her delicacy shrunk from an exposure of her weakness: it was getting too serious for the light compositions of epistolary correspondence.
We furnish a copy of the lines, as they me not only indicative of her feelings, but may give the reader some idea of the powers of her imagination.
“Beloved image of a god-like mind,
“In sacred privacy thy power I feel;
“What bright perfection in thy form’s combin’d!
“How sure to injure, and how kind to heal.
“Thine eagle eye bedazzles e’en the brain,
“Thy gallant brow bespeaks the front of Jove;
“While smiles enchant me, tears in torrents rain,
“And each seductive charm impels to love.
“Ah! hapless maid, why daring dost thou prove
“The hidden dangers of the urchin’s dart;
“Why fix thine eye on this, the god of love,
“And heedless think thee to retain thy heart!”
This was but one of fifty similar effusions, in which Julia poured forth her soul. The flame was kept alive by frequent letters from her friend, in all of which she dwelt with rapture on the moment of their re-union, and never failed to mention Antonio in a manner that added new fuel to the fire that already began to consume Julia, and, in some degree, to undermine her health, at least she thought so.