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“Marpessa!” he cried, “Marpessa! wilt thou not come to me? No woe nor trouble, never any pain can touch me. Yet woe indeed was mine when first I saw thy fairest face. For even now dost thou hasten to sorrow, to darkness, to the dark-shadowed tomb. Thou art but mortal! thy beauty is short-lived. Thy love for mortal man shall quickly fade and die. Come to me, Marpessa, and my kisses on your lips shall make thee immortal! Together we shall bring the sunbeams to a cold, dark land! Together shall we coax the spring flowers from the still, dead earth! Together we shall bring to men the golden harvest, and deck the trees of autumn in our liveries of red and gold. I love thee, Marpessa–not as mere mortal loves do I love thee. Come to me, Marpessa–my Love–my Desire!”

When his voice was silent, it seemed as if the very earth itself with all its thousand echoes still breathed his words: “Marpessa–my Love–my Desire.”

Abashed before the god’s entreaties stood Idas. And the heart of Marpessa was torn as she heard the burning words of the beautiful Apollo still ringing through her head, and saw her mortal lover, silent, white-lipped, gazing first at the god and then into her own pale face. At length he spoke:

“After such argument what can I plead?
Or what pale promise make? Yet since it is
In woman to pity rather than to aspire,
A little I will speak. I love thee then
Not only for thy body packed with sweet
Of all this world, that cup of brimming June,
That jar of violet wine set in the air,
That palest rose sweet in the night of life;
Nor for that stirring bosom all besieged
By drowsing lovers, or thy perilous hair;
Nor for that face that might indeed provoke
Invasion of old cities; no, nor all
Thy freshness stealing on me like strange sleep.
Nor for this only do I love thee, but
Because Infinity upon thee broods;
And thou art full of whispers and of shadows.
Thou meanest what the sea has striven to say
So long, and yearned up the cliffs to tell;
Thou art what all the winds have uttered not,
What the still night suggesteth to the heart.
Thy voice is like to music heard ere birth,
Some spirit lute touched on a spirit sea;
Thy face remembered is from other worlds,
It has been died for, though I know not when,
It has been sung of, though I know not where.
It has the strangeness of the luring West,
And of sad sea-horizons; beside thee
I am aware of other times and lands,
Of birth far-back, of lives in many stars.
O beauty lone and like a candle clear
In this dark country of the world! Thou art
My woe, my early light, my music dying.”

Stephen Phillips.

Then Idas, in the humility that comes from perfect love, drooped low his head, and was silent. In silence for a minute stood the three–a god, a man, and a woman. And from on high the watching stars looked down and marvelled, and Diana stayed for a moment the course of her silver car to watch, as she thought, the triumph of her own invincible brother.

From man to god passed the eyes of Marpessa, and back from god to man. And the stars forgot to twinkle, and Diana’s silver-maned horses pawed the blue floor of the sky, impatient at the firm hand of the mistress on the reins that checked their eager course.

Marpessa spoke at last, in low words that seemed to come “remembered from other worlds.”

For all the joys he offered her she thanked Apollo. What grander fate for mortal woman than to rule the sunbeams–to bring bliss to the earth and to the sons of men? What more could mortal woman crave than the gift of immortality shared with one whose power ruled the vast universe, and who still had stooped to lay the red roses of his passionate love at her little, human feet? And yet–and yet–in that sorrow-free existence that he promised, might there not still be something awanting to one who had once known tears?