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“But your daughter?” said York.

The old man’s hands went up to his eyes here, and then both hands and head dropped forward on the table. “Don’t say any thing ’bout her, my boy, don’t ask me now.” With one hand concealing his eyes, he fumbled about with the other in his pockets for his handkerchief–but vainly. Perhaps it was owing to this fact, that he repressed his tears; for, when he removed his hand from his eyes, they were quite dry. Then he found his voice.

“She’s a beautiful girl, beautiful, though I say it; and you shall see her, my boy,–you shall see her sure. I’ve got things about fixed now. I shall have my plan for reducin’ ores perfected a day or two; and I’ve got proposals from all the smeltin’ works here” (here he hastily produced a bundle of papers that fell upon the floor), “and I’m goin’ to send for ’em. I’ve got the papers here as will give me ten thousand dollars clear in the next month,” he added, as he strove to collect the valuable documents again. “I’ll have ’em here by Christmas, if I live; and you shall eat your Christmas dinner with me, York, my boy,–you shall sure.”

With his tongue now fairly loosened by liquor and the suggestive vastness of his prospects, he rambled on more or less incoherently, elaborating and amplifying his plans, occasionally even speaking of them as already accomplished, until the moon rode high in the heavens, and York led him again to his couch. Here he lay for some time muttering to himself, until at last he sank into a heavy sleep. When York had satisfied himself of the fact, he gently took down the picture and frame, and, going to the hearth, tossed them on the dying embers, and sat down to see them burn.

The fir-cones leaped instantly into flame; then the features that had entranced San Francisco audiences nightly, flashed up and passed away (as such things are apt to pass); and even the cynical smile on York’s lips faded too. And then there came a supplemental and unexpected flash as the embers fell together, and by its light York saw a paper upon the floor. It was one that had fallen from the old man’s pocket. As he picked it up listlessly, a photograph slipped from its folds. It was the portrait of a young girl; and on its reverse was written in a scrawling hand, “Melinda to father.”

It was at best a cheap picture, but, ah me! I fear even the deft graciousness of the highest art could not have softened the rigid angularities of that youthful figure, its self-complacent vulgarity, its cheap finery, its expressionless ill-favor. York did not look at it a second time. He turned to the letter for relief.

It was misspelled; it was unpunctuated; it was almost illegible; it was fretful in tone, and selfish in sentiment. It was not, I fear, even original in the story of its woes. It was the harsh recital of poverty, of suspicion, of mean makeshifts and compromises, of low pains and lower longings, of sorrows that were degrading, of a grief that was pitiable. Yet it was sincere in a certain kind of vague yearning for the presence of the degraded man to whom it was written,–an affection that was more like a confused instinct than a sentiment.

York folded it again carefully, and placed it beneath the old man’s pillow. Then he returned to his seat by the fire. A smile that had been playing upon his face, deepening the curves behind his mustache, and gradually overrunning his clear gray eyes, presently faded away. It was last to go from his eyes; and it left there, oddly enough to those who did not know him, a tear.

He sat there for a long time, leaning forward, his head upon his hands. The wind that had been striving with the canvas roof all at once lifted its edges, and a moonbeam slipped suddenly in, and lay for a moment like a shining blade upon his shoulder; and, knighted by its touch, straightway plain Henry York arose, sustained, high-purposed and self-reliant.