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And another, that he would plunge from the rocks, and take headers, diving into the deep, cold water, drinking as he dived.

And the third, that he would be washed up and down with the rippling waves, living on the land, yet ever in the water.

Then the fourth said, “Verily, you know not how to wish, and I will teach you. I would live in the water all the time, and swim about in it forever.”

Now it chanced that these things were said in the hour which, when it passes over the world, all the wishes uttered by men are granted. And so it was with these Indians. For the first became a Leech, the second a Spotted Frog, the third a Crab, which is washed up and down with the tide, and the fourth a Fish. Ere this there had been in all the world none of the creatures which dwell in the water, and now they were there, and of all kinds. And the river came rushing and roaring on, and they all went headlong down to the sea, to be washed into many lands over all the world. [Footnote: This was told by Tomah Josephs. It is given much more imperfectly in the tale of Kitpooseagunow in the Rand manuscript, and in the Anglo-Indian “Storey of Glooscap.” I have taken very great pains in this, as in all the tales written down from verbal narration, to be accurate in details, and to convey as well as I could the quaint manner and dry humor which characterized the style of the narrator. Even white men do not tell the same story in the same way to everybody; and if Tomahquah and others fully expressed their feelings to me, it was because they had never before met with a white man who listened to them with such sympathy. It may be observed that the Indians commonly say that wherever the bull-frog is to be found in summer there is always water. It is not to be understood, in this tale, that the bull-frog is supposed to have merely drunk up the river. It is the river which has become incarnate in him. It is the ice of winter penetrated by the spear of the sun; that is, Glooskap. Thus, in another tale, a frozen river tries, as a man, to destroy the hero, but is melted by him. The conception of the hour when all wishes are granted, and the abrupt termination of the whole in a grand transformation scene, are both very striking. There is something like the former in Rabelais, in his narrative of the golden hatchet; as regards the latter, it is like the ending of a Christmas pantomime. Indeed, the entire tale is perfectly adapted to such a “dramatization.”

I have been told by an old Passamaquoddy woman that the name of the monster who swallowed the stream was Hahk-lee-be-mo.]