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PAGE 5

Horn O’ The Moon
by [?]

“You’ve just got home,” said she. “I s’pose you ain’t heard what’s happened to Johnnie?”

Mary rose, a hand upon her chair.

“No! no! He don’t want no nussin’. You set down. I can’t talk so–ready to jump an’ run. My! how good that tea does smell!”

Mary brought a cup, and placed it at her hand, with the deft manner of those who have learned to serve. Mattie sugared it, and tasted, and sugared again.

“My! how good that is!” she repeated. “You don’t steep it to rags, as some folks do. I have to, we’re so nigh the wind. Well, you hadn’t been gone long before Johnnie had a kind of a fall. ‘T wa’n’t much of a one, neither,–down the ledge. I dunno how he done it–he climbs like a cat–seems as if the Old Boy was in it–but half his body he can’t move. Palsy, I s’pose; numb, not shakin’, like Adam’s.”

Mary listened gravely; her hands on her knees.

“How long’s he been so?”

“Nigh on to five weeks.”

“Had the doctor?”

“Yes, we called in that herb-man over to Saltash, an’ he says there ain’t no chance for him. He’s goin’ to be like Adam, only wuss. An’ I’ve been down to the Poor Farm, to tell ’em they’ve got to take him in.” Her little hands worked; her eager eyes ate their way into the heart. Mary could see exactly how she had had her way with the selectmen. “I told ’em they’d got to,” she repeated. “He ain’t got no money, an’ we ain’t got nuthin’, an’ have two paraletics on my hands I can’t. So they told me they’d give me word to-day; an’ I’m goin’ down to settle it. I’m in hopes they’ll bring me back, an’ take him along down.”

“Yes,” answered Mary gravely. “Yes.”

“Well, now I’ve come to the beginnin’ o’ my story.” Mattie took that last delicious sip of tea at the bottom of the cup. “He’s layin’ in bed, an’ Adam’s settin’ by the stove; an’ I wanted to know if you wouldn’t run in, long towards noon, an’ warm up suthin’ for ’em.”

“Yes, indeed,” said Mary Dunbar. “I’ll be there.”

She rose, and Mattie, albeit she dearly loved to gossip, felt that she must rise, too, and be on her way. She tried to amplify on what she had already said, but Mary did not seem to be listening; so, treading carefully, lest the dust and dew beset her precious shoes, she took her way down the hill, like a busy little ant, born to scurry and gather.

Mary looked hastily about the room, to see if its perfect order needed a farewell touch; and then she drank her cup of tea, and stepped out into the morning. The air was fresh and sweet. She wore no shawl, and the wind lifted the little brown rings on her forehead, and curled them closer. Mary held a hand upon them, and hurried on. She had no more thought of appearances than a woman in a desert land, or in the desert made by lack of praise; for she knew no one looked at her. To be clean and swift was all her life demanded.

Adam sat by the stove, where the ashes were still warm. It was not a day for fires, but he loved his accustomed corner. He was a middle-aged man, old with the suffering which is not of years, and the pathos of his stricken state hung about him, from his unkempt beard to the dusty black clothing which had been the Tiverton minister’s outworn suit. One would have said he belonged to the generation before his brother.

“That you, Mary?” he asked, in his shaking voice. “Now, ain’t that good? Come to set a spell?”

“Where is he?” responded Mary, in a swift breathlessness quite new to her.

“In there. We put up a bed in the clock-room.”

It was the unfinished part of the house. The Veaseys had always meant to plaster, but that consummation was still afar. The laths showed meagrely; it was a skeleton of a room,–and, sunken in the high feather-bed between the two windows, lay Johnnie Veasey, his buoyancy all gone, his face quite piteous to see, now that its tan had faded. Mary went up to the bedside, and laid one cool, strong hand upon his wrist. His eyes sought her with a wild entreaty; but she knew, although he seemed to suffer, that this was the misery of delirium, and not the conscious mind. Adam had come trembling to the door, and stood there, one hand beating its perpetual tattoo upon the wall. Mary looked up at him with that abstracted gaze with which we weigh and judge.