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PAGE 5

Hooking Watermelons
by [?]

Closely adjoining the edge of the melon-patch was a patch of green corn, standing ten feet high, and at the fullest perfection of foliage. This Arthur selected for his ambush, its position being such that he could cut off the retreat to the fence of any person who had once got among the melons. Hewing down a hill of corn in the second row from the front, he made a comfortable place for his easy-chair. Amy lingered for a while, enjoying the excitement of the occasion, and they talked in whispers; but finally Arthur sent her in, and as her dress glimmered away down the garden path, he settled himself comfortably for his watch.

In the faint moonlight he could just descry the dark shapes of the melons on the ground in front of him. The crickets were having a high time in the stubble around, and the night air drew sweet autumnal exhalations from the ground; for autumn begins by night a long time before it does by day. The night wind rustled in the corn with a crisp articulateness he had never noticed in daytime, and he felt like an eavesdropper. Then for a while he heard the music of some roving serenaders, down in the village, and grew pensive with the vague reminiscences of golden youth, romance, and the sweet past that nightly music suggests,–vague because apparently they are not reminiscences of the individual but of the race, a part of the consciousness and ideal of humanity. At last the music was succeeded by the baying of a dog in some distant farmyard, and then, ere the ocean of silence had fairly smoothed its surface over that, a horse began to kick violently in a neighboring barn. Some time after, a man chopped some kindlings in a shed a couple of lots off. Gradually, however, the noises ceased like the oft-returning yet steadily falling ebb of the tide, and Arthur experienced how many degrees there are of silence, each more utter than the last, so that the final and absolute degree must be something to which the utmost quiet obtainable on earth is uproar. One by one the lights went out in the houses, till the only ones left were in the windows of the Seminary, visible over the tree-tops a quarter of a mile away.

“The girls keep late hours,” thought Arthur. And from that he fell to thinking of Lina Maynard and the careless, almost insolent, grace of her manner, and that indifferent yet penetrating glance of hers. Where did she come from? Probably from California, or the far West; he had heard that the girls out there were of a bolder, more unconventional type than at the East. What a pity she did not fancy Amy!

What was that moving across the melon-patch? He reached for his gun. It was only a cat, though, after all. The slight noise in the corn-patch attracted the animal’s attention, and it came across and poked its head into the opening where Arthur sat. As the creature saw him, its start of surprise would have shattered the nervous system of anything but a cat. It stood half thrown back on its haunches, its ears flattened, its eyes glaring in a petrifaction of amazement. Arthur sat motionless as marble, laughing inwardly. For full two minutes the two stared at each other without moving a muscle, and then, without relaxing its tense attitude, the cat by almost imperceptible degrees withdrew one paw and then another, and, thus backing out of the corn-patch, turned around when at a safe distance and slunk away.

A few minutes later a dog, that enthusiast in perfumes, jumped through the fence and trotted across the melon-patch, his nose to the ground, making a collection of evening smells. Arthur expected nothing but that he would scent his neighborhood, find him out, and set up a barking. But, chancing to strike the cat’s trail, off went the dog on a full run with nose to the ground.