Home-Seekers’ Goal
by
Long ago I made an important discovery. It comes under the general head of statics and is this: by occupying an invariable bench in Our Square, looking venerable and contemplative and indigenous, as if you had grown up in that selfsame spot, you will draw people to come to you for information, and they will frequently give more than they get of it. Such, I am informed, is the method whereby the flytrap orchid achieves a satisfying meal. Not that I seek to claim for myself the colorful splendors of the Cypripedium, being only a tired old pedagogue with a taste for the sunlight and for observing the human bubbles that float and bob on the current in our remote eddy of life. Nevertheless, I can follow a worthy example, even though the exemplar be only a carnivorous bloom. And, I may confess, on the afternoon of October 1st, I was in a receptive mood for such flies of information as might come to me concerning two large invading vans which had rumbled into our quiet precincts and, after a pause for inquiry, stopped before the Mordaunt Estate’s newly repaired property at Number 37.
The Mordaunt Estate in person was painting the front wall. The design which he practiced was based less upon any previsioned concept of art than upon the purchase, at a price, of a rainbow-end job lot of colors.
The vanners descended, bent on negotiations. Progress was obviously unsatisfactory, the artist, after brief and chill consideration, reverting to his toil. Now, tact and discretion are essential in approaching the Mordaunt Estate, for he is a prickly institution. I was sure that the newcomers had taken the wrong tack with him.
Discomfiture was in their mien as they withdrew in my direction. I mused upon my bench, with a metaphysical expression which I have found useful in such cases. They conferred. They approached. They begged my pardon. With an effort which can hardly have failed to be effective, I dragged myself back to the world of actualities and opened languid eyes upon them. It is possible that I opened them somewhat wider than the normal, for they fell at once upon the nearer and smaller of the pair, a butterfly of the most vivid and delightful appearance.
“Is the house with the ‘To Let’ sign on it really to let, do you know, sir?” she inquired, adding music to color with her voice.
“So I understand,” said I, rising.
“And the party with the yellow nose, who is desecrating the front,” put in the butterfly’s companion. “Is he a lunatic or a designer of barber poles?”
“He is a proud and reserved ex-butcher, named Wagboom, now doing a limited but high-class business in rentals as the Mordaunt Estate.”
“He may be the butcher, but he talks more like the pig. All we could get out of him was a series of grunts when we addressed him by name.”
“Ah, but you used the wrong name. For all business purposes he should be addressed as the Mordaunt Estate, his duly incorporated title. Wagboom is an irritant to a haughty property-owner’s soul.”
“Shall we go back and try a counter-irritant?” asked the young man of his companion.
“With a view to renting?” I inquired.
“Yes.”
“Do you keep dogs?”
“No,” said the young man.
“Or clocks by the hundred?”
“Certainly not,” answered the butterfly.
“Or bombs?”
Upon their combined and emphatic negative they looked at each other with a wild surmise which said plainly: “Are they all crazy down here?”
“If you do,” I explained kindly, “you might have trouble in dealing. The latest tenant of Number 37 was a fluffy poodle who pushed one of two hundred clocks into the front area so that it exploded and blew away the front wall.” And I outlined the history of that canine clairvoyant, Willy Woolly. “The Mordaunt Estate is sensitive about his tenants, anyway. He rents, not on profits, but on prejudice. Perhaps it would be well for you to flatter him a little; admire his style of house painting.”