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In the new apartment you rather prided yourself on not knowing your next-door neighbours. The paper-thin walls permitted you to hear them living the most intimate details of their lives. You heard them laughing, talking, weeping, singing, scolding, caressing. You didn’t know them. You did not even see them. When you met in the halls or elevators you did not speak. Then, after they had lived in the new apartment about a year Cora met the woman in 618 and Raymond met the woman in 620, within the same week. The Atwaters lived in 619.

There was some confusion in the delivery of a package. The woman in 618 pressed the Atwaters’ electric button for the first time in their year’s residence there.

A plump woman, 618; blonde; in black. You felt that her flesh was expertly restrained in tight pink satin brassieres and long-hipped corsets and many straps.

“I hate to trouble you, but did you get a package for Mrs. Hoyt? It’s from Field’s.”

It was five-thirty. Cora had her hat on. She did not ask the woman to come in. “I’ll see. I ordered some things from Field’s to-day, too. I haven’t opened them yet. Perhaps yours … I’ll look.”

The package with Mrs. Hoyt’s name on it was there. “Well, thanks so much. It’s some georgette crepe. I’m making myself one those new two-tone slip-over negligees. Field’s had a sale. Only one sixty-nine a yard.”

Cora was interested. She sewed rather well when she was in the mood. “Are they hard to make?”

“Oh, land, no! No trick to it at all. They just hang from the shoulder, see? Like a slip-over. And then your cord comes round—-“

She stepped in. She undid the box and shook out the vivid folds of the filmy stuff, vivid green and lavender. “You wouldn’t think they’d go well together but they do. Makes a perfectly stunning negligee.”

Cora fingered the stuff. “I’d get some. Only I don’t know if I could cut the—-“

“I’ll show you. Glad to.” She was very friendly. Cora noticed she used expensive perfume. Her hair was beautifully marcelled. The woman folded up the material and was off, smiling. “Just let me know when you get it. I’ve got a lemon cream pie in the oven and I’ve got to run.” She called back over her shoulder. “Mrs. Hoyt.”

Cora nodded and smiled. “Mine’s Atwater.” She saw that the woman’s simple-seeming black dress was one she had seen in a Michigan Avenue shop, and had coveted. Its price had been beyond her purse.

Cora mentioned the meeting to Ray when he came home. “She seems real nice. She’s going to show me how to cut out a new negligee.”

“What’d you say her name was?” She told him. He shrugged. “Well, I’ll say this: she must be some swell cook. Whenever I go by that door at dinner time my mouth just waters. One night last week there was something must have been baked spare-ribs and sauerkraut. I almost broke in the door.”

The woman in 618 did seem to cook a great deal. That is, when she cooked. She explained that Mr. Hoyt was on the road a lot of the time and when he was home she liked to fuss for him. This when she was helping Cora cut out the georgette negligee.

“I’d get coral colour if I was you, honey. With your hair and all,” Mrs. Hoyt had advised her.

“Why, that’s my name! That is, it’s what Ray calls me. My name’s really Cora.” They were quite good friends now.

It was that same week that Raymond met the woman in 620. He had left the apartment half an hour later than usual (he had a heavy cold, and had not slept) and encountered the man and woman just coming out of 620.

“And guess who it was!” he exclaimed to Cora that evening. “It was a girl who used to work at Nagel’s, in the binoculars, years ago, when I started there. Calhoun, her name was. Laura Calhoun. Smart little girl, she was. She’s married now. And guess what! She gets a big salary fitting glasses for women at the Bazaar. She learned to be an optician. Smart girl.”