Home Girl
by
Wilson avenue, Chicago, is not merely an avenue but a district; not only a district but a state of mind; not a state of mind alone but a condition of morals. For that matter, it is none of these things so much as a mode of existence. If you know your Chicago–which you probably don’t–(sotto voce murmur, Heaven forbid!)–you are aware that, long ago, Wilson Avenue proper crept slyly around the corner and achieved a clandestine alliance with big glittering Sheridan Road; which escapade changed the demure thoroughfare into Wilson Avenue improper.
When one says “A Wilson Avenue girl,” the mind–that is, the Chicago mind–pictures immediately a slim, daring, scented, exotic creature dressed in next week’s fashions; wise-eyed; doll-faced; rapacious. When chiffon stockings are worn Wilson Avenue’s hosiery is but a film over the flesh. Aigrettes and mink coats are its winter uniform. A feverish district this, all plate glass windows and delicatessen dinners and one-room-and-kitchenette apartments, where light housekeepers take their housekeeping too lightly.
At six o’clock you are likely to see Wilson Avenue scurrying about in its mink coat and its French heels and its crepe frock, assembling its haphazard dinner. Wilson Avenue food, as displayed in the ready-cooked shops, resembles in a startling degree the Wilson Avenue ladies themselves: highly coloured, artificial, chemically treated, tempting to the eye, but unnutritious. In and out of the food emporia these dart, buying dabs of this and bits of that. Chromatic viands. Vivid scarlet, orange, yellow, green. A strip of pimento here. A mound of mayonnaise there. A green pepper stuffed with such burden of deceit as no honest green pepper ever was meant to hold. Two eggs. A quarter-pound of your best creamery butter. An infinitesimal bottle of cream. “And what else?” says the plump woman in the white bib-apron, behind the counter. “And what else?” Nothing. I guess that’ll be all. Mink coats prefer to dine out.
As a cripple displays his wounds and sores, proudly, so Wilson Avenue throws open its one-room front door with a grandiloquent gesture as it boasts, “Two hundred and fifty a month!” Shylock, purchasing a paper-thin slice of pinky ham in Wilson Avenue, would know his own early Venetian transaction to have been pure philanthropy.
It took Raymond and Cora Atwater twelve years to reach this Wilson Avenue, though they carried it with them all the way. They had begun their married life in this locality before it had become a definite district. Twelve years ago the neighbourhood had shown no signs of mushrooming into its present opulence. Twelve years ago Raymond, twenty-eight, and Cora, twenty-four, had taken a six-room flat at Racine and Sunnyside. Six rooms. Modern. Light. Rental, $28.50 per month.
“But I guess I can manage it, all right,” Raymond had said. “That isn’t so terrible–for six rooms.”
Cora’s full under lip had drawn itself into a surprisingly thin straight line. Later, Raymond came to recognize the meaning of that labial warning. “We don’t need all those rooms. It’s just that much more work.”
“I don’t want you doing your own work. Not unless you want to. At first, maybe, it’d be sort of fun for you. But after a while you’ll want a girl to help. That’ll take the maid’s room off the kitchen.”
“Well, supposing? That leaves an extra room, anyway.”
A look came into Raymond’s face. “Maybe we’ll need that, too–later. Later on.” He actually could have been said to blush, then, like a boy. There was much of the boy in Raymond at twenty-eight.
Cora did not blush.
Raymond had married Cora because he loved her; and because she was what is known as a “home girl.” From the first, business girls–those alert, pert, confident little sparrows of office and shop and the street at lunch hour–rather terrified him. They gave you as good as you sent. They were always ready with their own nickel for carfare. You never knew whether they were laughing at you or not. There was a little girl named Calhoun in the binoculars (Raymond’s first Chicago job was with the Erwin H. Nagel Optical Company on Wabash). The Calhoun girl was smart. She wore those plain white waists. Tailored, Raymond thought they called them. They made her skin look fresh and clear and sort of downy-blooming like the peaches that grew in his own Michigan state back home. Or perhaps only girls with clear fresh skins could wear those plain white waist things. Raymond had heard that girls thought and schemed about things that were becoming to them, and then stuck to those things. He wondered how the Calhoun girl might look in a fluffy waist. But she never wore one down to work. When business was dull in the motor and sun-glasses (which was where he held forth) Raymond would stroll over to Laura Calhoun’s counter and talk. He would talk about the Invention. He had no one else to talk to about it. No one he could trust, or who understood.