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Graveyard Of Dreams
by
The old replacement depot or classification center or training area or whatever it had been had vanished under the ship now and it was all forest back to the mountains, with an occasional cluster of deserted buildings. From one or two, threads of blue smoke rose–bands of farm tramps, camping on their way from harvest to wine-pressing. Then the eastern foothills were out of sight and he was looking down on the granite spines of the Calder Range; the valley beyond was sloping away and widening out in the distance, and it was time he began thinking of what to say when he landed. He would have to tell them, of course.
He wondered who would be at the dock to meet him, besides his family. Lynne Fawzi, he hoped. Or did he? Her parents would be with her, and Kurt Fawzi would take the news hardest of any of them, and be the first to blame him because it was bad. The hopes he had built for Lynne and himself would have to be held in abeyance till he saw how her father would regard him now.
But however any of them took it, he would have to tell them the truth.
* * * * *
The ship swept on, tearing through the thin puffs of cloud at ten miles a minute. Six minutes to landing. Five. Four. Then he saw the river bend, glinting redly through the haze in the sunlight; Litchfield was inside it, and he stared waiting for the first glimpse of the city. Three minutes, and the ship began to cut speed and lose altitude. The hot-jets had stopped firing and he could hear the whine of the cold-jet rotors.
Then he could see Litchfield, dominated by the Airport Building, so thick that it looked squat for all its height, like a candle-stump in a puddle of its own grease, the other buildings under their carapace of terraces and landing stages seeming to have flowed away from it. And there was the yellow block of the distilleries, and High Garden Terrace, and the Mall….
At first, in the distance, it looked like a living city. Then, second by second, the stigmata of decay became more and more evident. Terraces empty or littered with rubbish; gardens untended and choked with wild growth; windows staring blindly; walls splotched with lichens and grimy where the rains could not wash them.
For a moment, he was afraid that some disaster, unmentioned in his father’s letters, had befallen. Then he realized that the change had not been in Litchfield but in himself. After five years, he was seeing it as it really was. He wondered how his family and his friends would look to him now. Or Lynne.
The ship was coming in over the Mall; he could see the cracked paving sprouting grass, the statues askew on their pedestals, the waterless fountains. He thought for an instant that one of them was playing, and then he saw that what he had taken for spray was dust blowing from the empty basin. There was something about dusty fountains, something he had learned at the University. Oh, yes. One of the Second Century Martian Colonial poets, Eirrarsson, or somebody like that:
The fountains are dusty in the Graveyard of Dreams;
The hinges are rusty and swing with tiny screams.
There was more to it, but he couldn’t remember; something about empty gardens under an empty sky. There must have been colonies inside the Sol System, before the Interstellar Era, that hadn’t turned out any better than Poictesme. Then he stopped trying to remember as the ship turned toward the Airport Building and a couple of tugs–Terran Federation contragravity tanks, with derrick-booms behind and push-poles where the guns had been–came up to bring her down.