Girl
by
IN GILT letters on the ground glass of the door of room No. 962 were the words: “Robbins & Hartley, Brokers.” The clerks had gone. It was past five, and with the solid tramp of a drove of prize Percherons, scrub- women were invading the cloud-capped twenty-story office building. A puff of red-hot air flavoured with lemon peelings, soft-coal smoke and train oil came in through the half-open windows.
Robbins, fifty, something of an overweight beau, and addicted to first nights and hotel palm-rooms, pretended to be envious of his partner’s commuter’s joys.
“Going to be something doing in the humidity line to-night,” he said. “You out-of-town chaps will be the people, with your katydids and moonlight and long drinks and things out on the front porch.”
Hartley, twenty-nine, serious, thin, good-looking, ner- vous, sighed and frowned a little.
“Yes,” said he, “we always have cool nights in Floral- hurst, especially in the winter.”
A man with an air of mystery came in the door and went up to Hartley.
“I’ve found where she lives,” he announced in the portentous half-whisper that makes the detective at work a marked being to his fellow men.
Hartley scowled him into a state of dramatic silence and quietude. But by that time Robbins had got his cane and set his tie pin to his liking, and with a debonair nod went out to his metropolitan amusements.
“Here is the address,” said the detective in a natural tone, being deprived of an audience to foil.
Hartley took the leaf torn out of the sleuth’s dingy memorandum book. On it were pencilled the words “Vivienne Arlington, No. 341 East –th Street, care of Mrs. McComus.”
“Moved there a week ago,” said the detective. “Now, if you want any shadowing done, Mr. Hartley, I can do you as fine a job in that line as anybody in the city. It will be only $7 a day and expenses. Can send in a daily typewritten report, covering — “
“You needn’t go on,” interrupted the broker. “It isn’t a case of that kind. I merely wanted the address. How much shall I pay you?”
“One day’s work,” said the sleuth. “A tenner will cover it.”
Hartley paid the man and dismissed him. Then he left the office and boarded a Broadway car. At the first large crosstown artery of travel he took an eastbound car that deposited him in a decaying avenue, whose ancient structures once sheltered the pride and glory of the town.
Walking a few squares, he came to the building that he sought. It was a new flathouse, bearing carved upon its cheap stone portal its sonorous name, “The Vallambrosa.” Fire-escapes zigzagged down its front — these laden with household goods, drying clothes, and squalling children evicted by the midsummer heat. Here and there a pale rubber plant peeped from the miscellaneous mass, as if wondering to what kingdom it belonged — vegetable, animal or artificial.
Hartley pressed the “McComus” button. The door latch clicked spasmodically — now hospitably, now doubt- fully, as though in anxiety whether it might be admitting friends or duns. Hartley entered and began to climb the stairs after the manner of those who seek their friends in city flat-houses — which is the manner of a boy who climbs an apple-tree, stopping when he comes upon what he wants.
On the fourth floor he saw Vivienne standing in an open door. She invited him inside, with a nod and a bright, genuine smile. She placed a chair for him near a window, and poised herself gracefully upon the edge of one of those Jekyll-and-Hyde pieces of furniture that are masked and mysteriously hooded, unguessable bulks by day and inquisitorial racks of torture by night.
Hartley cast a quick, critical, appreciative glance at her before speaking, and told himself that his taste in choosing had been flawless.
Vivienne was about twenty-one. She was of the purest Saxon type. Her hair was a ruddy golden, each filament of the neatly gathered mass shining with its own lustre and delicate graduation of colour. In perfect harmony were her ivory-clear complexion and deep sea-blue eyes that looked upon the world with the ingenuous calmness of a mermaid or the pixie of an undiscovered mountain stream. Her frame was strong and yet possessed the grace of absolute naturalness. And yet with all her North- ern clearness and frankness of line and colouring, there seemed to be something of the tropics in her — something of languor in the droop of her pose, of love of ease in her ingenious complacency of satisfaction and comfort in the mere act of breathing — something that seemed to claim for her a right as a perfect work of nature to exist and be admired equally with a rare flower or some beauti- ful, milk-white dove among its sober-hued companions.