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“Oh!” (hau!)

“It is one of seven shawls which Selim sent, before his fall, to the Emperor Napoleon. The Empress Josephine, a Creole, as you know, my lady, and very capricious in her tastes, exchanged this one for another brought by the Turkish ambassador, and purchased by my predecessor; but I have never seen the money back. Our ladies in France are not rich enough; it is not as it is in England. The shawl is worth seven thousand francs; and taking interest and compound interest altogether, it makes up fourteen or fifteen thousand by now–“

“How does it make up?” asked the Englishwoman.

“Here it is, madame.”

With precautions, which a custodian of the Dresden Grune Gewolbe might have admired, he took out an infinitesimal key and opened a square cedar-wood box. The Englishwoman was much impressed with its shape and plainness. From that box, lined with black satin, he drew a shawl worth about fifteen hundred francs, a black pattern on a golden-yellow ground, of which the startling color was only surpassed by the surprising efforts of the Indian imagination.

“Splendid,” said the lady, in a mixture of French and English, “it is really handsome. Just my ideal” (ideol) “of a shawl; it is very magnificent.” The rest was lost in a madonna’s pose assumed for the purpose of displaying a pair of frigid eyes which she believed to be very fine.

“It was a great favorite with the Emperor Napoleon; he took—-“

“A great favorite,” repeated she with her English accent. Then she arranged the shawl about her shoulders and looked at herself in the glass. The proprietor took it to the light, gathered it up in his hands, smoothed it out, showed the gloss on it, played on it as Liszt plays on the pianoforte keys.

“It is very fine; beautiful, sweet!” said the lady, as composedly as possible.

Duronceret, Bixiou, and the shopmen exchanged amused glances. “The shawl is sold,” they thought.

“Well, madame?” inquired the proprietor, as the Englishwoman appeared to be absorbed in meditations infinitely prolonged.

“Decidedly,” said she; “I would rather have a carriage” (une voteure).

All the assistants, listening with silent rapt attention, started as one man, as if an electric shock had gone through them.

“I have a very handsome one, madame,” said the proprietor with unshaken composure; “it belonged to a Russian princess, the Princess Narzicof; she left it with me in payment for goods received. If madame would like to see it, she would be astonished. It is new; it has not been in use altogether for ten days; there is not its like in Paris.”

The shopmen’s amazement was suppressed by profound admiration.

“I am quite willing.”

“If madame will keep the shawl,” suggested the proprietor, “she can try the effect in the carriage.” And he went for his hat and gloves.

“How will this end?” asked the head assistant, as he watched his employer offer an arm to the English lady and go down with her to the jobbed brougham.

By this time the thing had come to be as exciting as the last chapter of a novel for Duronceret and Bixiou, even without the additional interest attached to all contests, however trifling, between England and France.

Twenty minutes later the proprietor returned.

“Go to the Hotel Lawson (here is the card, ‘Mrs. Noswell’), and take an invoice that I will give you. There are six thousand francs to take.”

“How did you do it?” asked Duronceret, bowing before the king of invoices.

“Oh, I saw what she was, an eccentric woman that loves to be conspicuous. As soon as she saw that every one stared at her, she said, ‘Keep your carriage, monsieur, my mind is made up; I will take the shawl.’ While M. Bigorneau (indicating the romantic-looking assistant) was serving, I watched her carefully; she kept one eye on you all the time to see what you thought of her; she was thinking more about you than of the shawls. Englishwomen are peculiar in their distaste (for one cannot call it taste); they do not know what they want; they make up their minds to be guided by circumstances at the time, and not by their own choice. I saw the kind of woman at once, tired of her husband, tired of her brats, regretfully virtuous, craving excitement, always posing as a weeping willow. . . .”

These were his very words.

Which proves that in all other countries of the world a shopkeeper is a shopkeeper; while in France, and in Paris more particularly, he is a student from a College Royal, a well-read man with a taste for art, or angling, or the theatre, and consumed, it may be, with a desire to be M. Cunin-Gridaine’s successor, or a colonel of the National Guard, or a member of the General Council of the Seine, or a referee in the Commercial Court.

“M. Adolphe,” said the mistress of the establishment, addressing the slight fair-haired assistant, “go to the joiner and order another cedar-wood box.”

“And now,” remarked the shopman who had assisted Duronceret and Bixiou to choose a shawl for Mme. Schontz, “now we will go through our old stock to find another Selim shawl.”

PARIS, November 1844.

ADDENDUM

The following personages appear in other stories of the Human Comedy.

Bixiou, Jean-Jacques
The Purse
A Bachelor’s Establishment
The Government Clerks
Modeste Mignon
Scenes from a Courtesan’s Life
The Firm of Nucingen
The Muse of the Department
Cousin Betty
The Member for Arcis
Beatrix
A Man of Business
The Unconscious Humorists
Cousin Pons

Ronceret, Fabien-Felicien du (or Duronceret)
Jealousies of a Country Town
Beatrix

Talleyrand-Perigord, Charles-Maurice de
The Chouans
The Gondreville Mystery
The Thirteen
Letters of Two Brides

Victorine
Massimilla Doni
Lost Illusions
Letters of Two Brides