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They all stepped back into the cab, and then it was that they were met by a fresh difficulty, how to get the detective into the barn where the fight was to take place, for neither of the two men had $250 to pay for his admittance.

But this was overcome when Gallegher remembered the window of which young Keppler had told him.

In the event of Hade’s losing courage and not daring to show himself in the crowd around the ring, it was agreed that Dwyer should come to the barn and warn Hefflefinger; but if he should come, Dwyer was merely to keep near him and to signify by a prearranged gesture which one of the crowd he was.

They drew up before a great black shadow of a house, dark, forbidding, and apparently deserted. But at the sound of the wheels on the gravel the door opened, letting out a stream of warm, cheerful light, and a man’s voice said, “Put out those lights. Don’t youse know no better than that?” This was Keppler, and he welcomed Mr. Dwyer with effusive courtesy.

The two men showed in the stream of light, and the door closed on them, leaving the house as it was at first, black and silent, save for the dripping of the rain and snow from the eaves.

The detective and Gallegher put out the cab’s lamps and led the horse toward a long, low shed in the rear of the yard, which they now noticed was almost filled with teams of many different makes, from the Hobson’s choice of a livery stable to the brougham of the man about town.

“No,” said Gallegher, as the cabman stopped to hitch the horse beside the others, “we want it nearest that lower gate. When we newspaper men leave this place we’ll leave it in a hurry, and the man who is nearest town is likely to get there first. You won’t be a-following of no hearse when you make your return trip.”

Gallegher tied the horse to the very gate-post itself, leaving the gate open and allowing a clear road and a flying start for the prospective race to Newspaper Row.

The driver disappeared under the shelter of the porch, and Gallegher and the detective moved off cautiously to the rear of the barn. “This must be the window,” said Hefflefinger, pointing to a broad wooden shutter some feet from the ground.

“Just you give me a boost once, and I’ll get that open in a jiffy,” said Gallegher.

The detective placed his hands on his knees, and Gallegher stood upon his shoulders, and with the blade of his knife lifted the wooden button that fastened the window on the inside, and pulled the shutter open.

Then he put one leg inside over the sill, and leaning down helped to draw his fellow-conspirator up to a level with the window. “I feel just like I was burglarizing a house,” chuckled Gallegher, as he dropped noiselessly to the floor below and refastened the shutter. The barn was a large one, with a row of stalls on either side in which horses and cows were dozing. There was a haymow over each row of stalls, and at one end of the barn a number of fence-rails had been thrown across from one mow to the other. These rails were covered with hay.

[Illustration with caption: Gallegher stood upon his shoulders.]

In the middle of the floor was the ring. It was not really a ring, but a square, with wooden posts at its four corners through which ran a heavy rope. The space inclosed by the rope was covered with sawdust.

Gallegher could not resist stepping into the ring, and after stamping the sawdust once or twice, as if to assure himself that he was really there, began dancing around it, and indulging in such a remarkable series of fistic manoeuvres with an imaginary adversary that the unimaginative detective precipitately backed into a corner of the barn.