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PAGE 15

Gallegher: A Newspaper Story
by [?]

He rose in his seat and called on the horse, and urged it into a reckless gallop over the slippery asphalt. He considered nothing else but speed, and looking neither to the left nor right dashed off down Broad Street into Chestnut, where his course lay straight away to the office, now only seven blocks distant.

Gallegher never knew how it began, but he was suddenly assaulted by shouts on either side, his horse was thrown back on its haunches, and he found two men in cabmen’s livery hanging at its head, and patting its sides, and calling it by name. And the other cabmen who have their stand at the corner were swarming about the carriage, all of them talking and swearing at once, and gesticulating wildly with their whips.

They said they knew the cab was McGovern’s, and they wanted to know where he was, and why he wasn’t on it; they wanted to know where Gallegher had stolen it, and why he had been such a fool as to drive it into the arms of its owner’s friends; they said that it was about time that a cab-driver could get off his box to take a drink without having his cab run away with, and some of them called loudly for a policeman to take the young thief in charge.

Gallegher felt as if he had been suddenly dragged into consciousness out of a bad dream, and stood for a second like a half-awakened somnambulist.

They had stopped the cab under an electric light, and its glare shone coldly down upon the trampled snow and the faces of the men around him.

Gallegher bent forward, and lashed savagely at the horse with his whip.

“Let me go,” he shouted, as he tugged impotently at the reins. “Let me go, I tell you. I haven’t stole no cab, and you’ve got no right to stop me. I only want to take it to the Press office,” he begged. “They’ll send it back to you all right. They’ll pay you for the trip. I’m not running away with it. The driver’s got the collar–he’s ‘rested–and I’m only a-going to the Press office. Do you hear me?” he cried, his voice rising and breaking in a shriek of passion and disappointment. “I tell you to let go those reins. Let me go, or I’ll kill you. Do you hear me? I’ll kill you.” And leaning forward, the boy struck savagely with his long whip at the faces of the men about the horse’s head.

Some one in the crowd reached up and caught him by the ankles, and with a quick jerk pulled him off the box, and threw him on to the street. But he was up on his knees in a moment, and caught at the man’s hand.

“Don’t let them stop me, mister,” he cried, “please let me go. I didn’t steal the cab, sir. S’help me, I didn’t. I’m telling you the truth. Take me to the Press office, and they’ll prove it to you. They’ll pay you anything you ask ’em. It’s only such a little ways now, and I’ve come so far, sir. Please don’t let them stop me,” he sobbed, clasping the man about the knees. “For Heaven’s sake, mister, let me go!”

The managing editor of the Press took up the india-rubber speaking- tube at his side, and answered, “Not yet” to an inquiry the night editor had already put to him five times within the last twenty minutes.

Then he snapped the metal top of the tube impatiently, and went up- stairs. As he passed the door of the local room, he noticed that the reporters had not gone home, but were sitting about on the tables and chairs, waiting. They looked up inquiringly as he passed, and the city editor asked, “Any news yet?” and the managing editor shook his head.

The compositors were standing idle in the composing-room, and their foreman was talking with the night editor.